300b lovers

I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 




Here’s the latest: Don is training the folks in Salt Lake City as we near production.

The Raven preamp is the same preamp you heard at the show, while the Blackbird now has KT88 drivers, at twice the power of the 6V6 drivers, with third-generation Cinemag interstage transformers and Monolith output transformers, If you’re wondering who Monolith is, you heard them in the Songer room on the Whammerdyne amplifier.

Merry Christmas, Happy Hannukah, and a Happy New Year, to all!

Hi @lynn_olson ,

I have a couple of technical questions:

1. Is it a good idea to feed indirect heated tubes AC filament with a separate dedicated power transformer? In my integrated SET 300B amp input tubes receive relatively low level signal after the input potentiometer.   

2. I use interstage transformers and separate PS for driver and input tubes. As a result, I have two separate GNDs: 1st - for output circuit and PS  2nd - for input/driver  circuit and PS. Should I connect both these GND together to the amplifier chassis at one point? Or can I leave one of these GND floating?

1. If the heater windings are not shielded from the high-voltage B+ windings, switch noise from the B+ section can be capacitively coupled to the low-voltage heater windings. Although indirectly heated tubes have significant isolation from line noise, it is not 100%, so some of that switch-buzz gets through. If you listen closely, you will probably hear it.

There are several solutions: A) get a power transformer with electrostatic shielding (copper foil) between HV and LV sections B) go to DC heating with a regulator C) use a separate heater transformer.

When none of these are done, yeah, that’s cost-cutting, no matter how fancy the name brand. If swapping the rectifier tubes makes a notable difference in the sound of the amp, there’s something wrong, or not optimal, with the power supply design.

2. Yes, the two grounds must connect together at one point, and only one point, preferably the chassis. There’s an old joke: when two engineers get together, they will come up with three grounding solutions, and all of them will be right.

Grounds (and shields) should never float, ever. That’s bad practice and a possible safety hazard. Determining the best connection for the ground or shield usually takes a bit of thought (which is why it’s called engineering).

There are whole books on grounding. It is not a trivial subject. Part of the problem is language, because one word covers several things:

A) Safety ground 

B) Current return path for the DC currents that power the tubes or transistors

C) Current return path for the AC audio signals going through the circuit

D) RF and noise shielding

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