$35K to spend, how will you build a system?


Never in any stereo system arrangement have I or anyone I know, ever initially proportioned out the money for the whole enchilada. We just bought this or that. We began somewhere and finished it all later on. Somehow.

Or, the proposition ‘finished’ became a moving target and the trek wandered about here and there, as the effort continued past the intentioned budget. Some steps were sideways, some allowed for definite improvements. Some moves took us a step backwards or merely into a different perspective.

All of the moves provided one benefit everytime, experience.

Experiences are what is being asked for in this topic.

Then one day, suddenly, buckets of duckets land in your yard and you want serious sounds? .

Here’s the question…

If you had it to do all over again, what do you put into a home audio system if you have $35,000.00 to spend?

Regardless the format, tubes, Solid state, mega watts or flea powered doesn’t matter. Its your rig and your money.

The destination is a rig with copius amounts of Acquired Illusionary Reality (AIR) in short, an involving alluringmost respectable, , “man I really hate to turn this thing off”, stereo system.

Because invariably someone will ask, so For the truly anal, the room is not in a mansion, has no dedicated power lnies, and is of moderate size 14 to 17ft wide, 18 to 23ft. long, 8.5ft. ceilings. Acoustically untreated. Closed off, or opened onto other areas, you make that call.

How do you feel you’ll spread the dough around immediately?

Address all four areas? Maybe attend to only amps and speakers, then later look towards other parts of the affair?

Example 1:
Find someone who already has a stellar sounding system, rent a room, and buy the new entry level Tesla..

Example 2
Buy new amp and speakers along with better than average cabling and isolation, just on a smaller scale.

Example 3
Spend it all in thirds, source, power, and speakers obtaining the best value possible, new or as re-sold because everything matters.

Example 4
By new SOTA speakers that you can find with the whole wad! Steal everything else.

What is your approach with $35K burning a hole in your pocket to acquire great sound? Can it even be done in 2017 with such a budget?

blindjim
 It seems immensely popular in Europe to go with integrated amps. Gryphon, Ayon, GamuT, etc., all make feature rich INTs. .

Integrateds are popular in the USA too, as Pass Labs, VAC, ARC, Ayre, BAT, Boulder,  D'Agostino, Rowland, and many more USA manufacturers all make quality Integrated amps.

jmcgrogan2 > Integrateds are popular in the USA too

blindjim > hey John, you are correct sir.
What we see depends mainly on what we look for. John Lubbock –

Since the 60s & 70s I’ve always seen INTs as purely a shortcut and not the best path to gain ‘the most’ performance or ‘the best’ sound. This is especially true after seeing what sort of flexibility separates can deliver in an audio system.

I’m on the road to relaxing that attitude and INTs are looking more and more attractive, here and there. The ones I’m getting transfixed on however are some pricey little meatballs! So, we’ll see.

They make great sense for putting together a rig under $35K too.

Well, my current system costs over USD35k, so I've blown that much money already. So what would I do now, if I started again (instead of 35 years ago).

1) Buy TWO Sony APR 5003 R2R tape machine - USD 1000 each in good nick - this was Sony's one and only studio R2R machine - super transport, great replay electronics and fabulous software driven interface for calibration

2) Spend USD 1000 on appropriate monitoring - twin needle PPM meters with mono/sum function (to check levels and repro head azimuth), XLR-RCA balanced converter (not just XLR-RCA leads), cheap studio XLR leads and a test tape.

3) USD circa 12k on speakers, pre and power amp

4) USD 20k on "master" tapes and blank tape (I duplicate each master tape I buy onto new tape stock with calibrated test tones for replay line up)


Why have I said this? I reached an epiphany about 2 years ago. I had spent 30+ years trying to get a high quality vinyl replay system. In fact I was really happy with this - Platine Verdier with GT Audio Battery PSU - 2 tonearms/carts; Schroeder Model 2, Allaerts MC1B and Hadcock 228 and vintage Decca London FFSS MkIV C4E - TRON Seven Reference phono - amplification TRON Meteor/Voyager tube pre/SET Power - Avantgarde Duo 2.2.

I then bought my first studio R2R machines - Studer A807/II, Sony APR 5002 and Sony APR 5003 - result - I haven't played my turntable for almost a year!!!
This would be fine, but where do you get master tape dubbs of real music not junk ? And at what cost?
Besides, R2R machines need servicing.
I like tape too and I don't really like vinyl and all that associated stuff.
Yeah, "it's the tape stupid" .
Inna,

You can find dubs of master tapes if you look hard enough, as well as original production masters. I have about 60 albums now, ranging from Miles Davis KoB to Michael Jackson Thriller, Pink Floyd The Wall and Nina Simone Pastel Blue. Some have cost as a little as USD 80 (bought several years ago), some as much as USD600. Most are around the USD 200 mark.

Servicing - as always, buy the best machine you can afford. If you get a studio machine e.g. Studer, Otari. MCI, Ampex or Sony APR 5000 series, you can find engineers and spares (some makes easier than others). New heads aren't a problem as JR French will make you a new head and align it correctly in your head block.

Charlie