840C and MHDT Havana


Hi all. I wanted to ask if anyone has had experience with both the Cambridge Audio 840C and the MHDT Havana DAC. I will primarily be using these playing lossless files through my Macbook, and using a fairly warm but dynamic OTL tube amp. I can get these for around the same price (Havana new, 840C used).

I am particularly sensitive in the HF region so am a little weary of comments I have read about the 840C's "digital sheen" / brightness; though some have said that 200h+ helps smooth that out (not sure to what extent and if the brighness is an inherent trait). The NOS, filterless, opampless design of the Havana appeals to me to from a purist and musicality perspective. I wonder if these two essentially play in the same sonic league, albeit with very different presentations.

Cheers,
X
xenithon
I recently tried the 840C as I was attracted to the idea of a combined CD/DAC. My current CD player is a Classe CDP 10. The 840C did seem to me to have high end issues. It just seemed dis-jointed in the high end and I did find it tiring. I used both Apple lossless and my CDP 10 digital output as sources to the 840c digital inputs. Given your description of sensitivity to high end brightness/glare I think you are correct to be cautious about the 840c. I did not think that a tube amp would bring the high end together, although I did not try that. I did try different cables, but the high end never did gel for me, even with pretty laid back cables. Incidently, I stayed away from the Benchmark DAC 1 for the same reasons. I ended up with a Musical Fidelity A3.24 - a few years old but a much smoother high end for me. Running iTunes through a HP Laptop to the DAC the result is very close to the CDP 10 and may be slightly more dynamic. Although I have not tried the Havana, my guess would be that the A3.24 is probably somewhere between it and the 840c in the high frequencies. As always this depends so much on personal preference. FYI - Downstream I have a Classe CP-65, Levinson 432 and Sonus Faber Cremona all with Transparent Ultra Cables.
Xenithon,

Based on my experience with the Paradisea and ability to tweak the sound significantly with different inexpensive tubes, I think you would be very pleased with the Havana.

The Paradisea with separateTung Sol equivalent tube in combo with an Audio Research sp-16 pre-amp I just put in and Musical Fidelity A3CR SS amp is quite formidable for the price.
Thanks for the responses.

I was quite surprised at the description of the Audio Mirror being more dynamic - I would have thought that the 840C would have better dynmamics (than the NOS AM). Similarly surprised with there being less fatigue. That said, I have read some 840C observations about it having excellent bass depth, but midbass and mids being a little soft (attack/"thwack" factor).

How do you guys find the smoothness of the two DACs? I listen to a lot of female vocal so this is a crucial area which is often not quite cracked.

Mapman - the pros of the Havana are indeed creeping up. I suppose the only concerns I have are of too soft a bass or HF...that is, both extremes being rolled it (giving too romantic a sound). From what you say though, tube rolling should hopefully alleviate that.

Cheers,
X
HF is not soft with the Paradisea even with stock GE tube.

LF, maybe or maybe not with the stock GE tube, depending on taste. LF leaves nothing to be desired with the Tung Sol.
Xenithon, I thought a few more comments on the 840C might help clarify my experience. With regard to the AM having better bass and dynamics than the 840C, it might be helpful to know those are primary strengths of the AM. So while the 840C is certainly not weak in those areas, it does not match the AM. For instance, listening to the Lopez-Cobos Mahler 3rd first movement with the AM, the tympani exhibits that jump or attack factor, to an extent not present in the 840C. However, one does not get far into the first movement before the 840C distinguishes itself above the AM in handling complex orchestral passages with far less congestion than the AM and also in spatial presentation. It could be argued that the 840C errs slightly on the side of politeness.

With regard to fatigue, my experience with the 840C parallels my experience with live performances. I was quite done after hearing live performances of the Mahler 7 and Shostakovich 4. No more music please, I was more than ready to go home. My point is that some listener fatigue is a natural consequence of the music, and is not artificially induced by electronics run amuck, where one has had enough after 20 minutes of relatively benign music. The 840C does not shorten my attention span. It parallels my experience with live music. This is the first digital source I've had for which that is true. For that reason alone, I will be cautious about replacing my 840C. After all, that's why I'm in this hobby. It's about the music.
A few comments on presentation of female vocal. Listening for instance, to Kathleen Battle singing the part of Gabriel in Haydn's Creation evokes the goose bumps. What a pure, sweet voice! Frederica von Stade singing Mahler's Songs of a Wayfarer is also emotionally moving. At the other extreme, I have a few recordings with problematic (ear piercing) soprano parts that have been rendered listenable, even enjoyable, on the 840C.

Finally, regarding the "sheen," it occurred to me that maybe the sheen is something not quite convincing about the considerable "air" in the 840C presentation. Maybe that is what bothered Dtc. The 840C is not a perfect player, and will not be everyone's cup of tea. No doubt, it will be a good player in some systems and not right for others. The only way to know for sure is to arrange for a long audition in your system.