A few systems heard at the Rocky Mntn. audiofest

I sure didn't hear them all, and I'm not about to say that my fave is the show's best system, but here are a few observations.

1. Most rooms I didn't even walk into as they were either too crowded or were playing diddeebopper trash that I RUN away from.
2. The Intuitive Design speakers room was playing an acoustic-bass recording that sounded EXCELLENT. It was closely miked and the bassist was doing lots of whacking and clacking, and the bass really did sound real. Didn't hear anything else there. Their literature reads as if their 2 systems will be QUITE expensive.
3. Herron was demoing prototypes of new, big speakers and subwoofers, and the short piece of the Reference recording of the Rutter Requium sounded VERY good.
4. North Creek's new Advanced Ribbon Technologies Division was playing their new Metro hybrid ribbon system. Only about 3' high, it used a single MR/treble ribbon and a 7" vented woofer. The system had almost no bottom-octave energy and a little too much treble for my taste, but it sounded VERY coherent. Too bad it'll retail for some $7 - $8K/pair.
5. Bruce Thigpen of Eminent Technology was demoing his new Thigpen Rotary Woofer (TRW) system. This thing is going to be a hit with well-moneyed home-theater fans, as it'll generate high SPLs with VERY little distortion at frequencies as low as ONE Hertz! Several of us heard continuous tones at 16Hz.; below that I felt rather than heard the energy. At 2 Hertz it was flapping the room's door about an inch peak-to-peak! 'Only' $13K.
6. The only ABSOLUTELY GREAT-sounding system for me was AvantGarde's Duo horn-based system, driven by Thor tubed preamp and amps. WOW!!!!!! I've never heard big, expensive, horn-based systems before, and it literally had me in tears with, again, the Rutter Requium. I played a lot of my CD of the EMI/Boult Holst Planets, and I was truly amazed at the tonal naturalness, soundstage size, imaging specificity, etc.
Jeffrey, who was demonstrating the AG horns?

Specifically, was it the manufacturer, the US distributor or a particular dealer?

Why let the music chase you away?

I don't get it, are you there to listen to music and hear systems and components or dump on other peoples' musical tastes?

There's a good chance that the music playing was a request from a visitor to the room, who happens to like that type of music. The exhibitor will politely let the visitor play a song, and if the music was, um, less than pleasant to the ears, it will go off quickly and the system is open for the next song.

Chances also are that the exhibitor will welcome your request.

In otherwords, don't sh*tcan the room because you heard a song that YOU personally do not like. Another person might roll their eyes at YOUR selection, but that's no reason to reject the exhibit room.

You're also the loser because you didn't have the patience and tolerance to wait it out for a couple of minutes. You may have missed a great system!
Golden ears and Plelko,

Respectfully, I must disagree with your assumption. I did bother to sit and listen in many rooms and wasn't given an opportunity to choose the software. I'm not sure what these folks were trying to accomplish except showcase some sonic attributes of their gear but they were not playing music. My impression is that many vendors were reluctant to offer up real world music which covered a large frequency range. So, I was trained by the very people that wanted to sell to me to not bother sticking around.

I'm very sympathetic to the setup constaints these folks faced in these smaller rooms. Perhaps the source material used was a result of failing to overcome the room problems. The thing is, those that did know how to overcome these issues were fearless in what they presented to the listener. These were the rooms that I enjoyed most.

I could be wrong but it seems that many vendors were unprepared for showing their wares. That's not the listeners fault.