Ok, I will measure distances. Get back soon, clear up a little work stuff first.
A Zu / Tekton / Omega Speaker Positioning Thread
Friends,
I'm a couple of months into ownership of a pair of 10-inch fullrangers, Zu Omens in this case. In extensive play with positioning, I've managed to get incredible tone out of them, the best I've ever heard -- but great soundstaging still eludes me. Specifically they fail at creating images outside of the speakers. On a recording of Bill Berry's Ellington Allstars, for example, my old 2-way monitors placed a trumpet 2.5 feet to the outside of the right speaker, and a sax just to the left, still outside the speaker. Now it's just two _great-sounding_ horns emerging directly from the right speaker.
We may be up against a reality that the limitation of 10-inch fullrangers is the inability to completely disappear, but let us have a discussion of best practices when positioning these guys.
I'm a couple of months into ownership of a pair of 10-inch fullrangers, Zu Omens in this case. In extensive play with positioning, I've managed to get incredible tone out of them, the best I've ever heard -- but great soundstaging still eludes me. Specifically they fail at creating images outside of the speakers. On a recording of Bill Berry's Ellington Allstars, for example, my old 2-way monitors placed a trumpet 2.5 feet to the outside of the right speaker, and a sax just to the left, still outside the speaker. Now it's just two _great-sounding_ horns emerging directly from the right speaker.
We may be up against a reality that the limitation of 10-inch fullrangers is the inability to completely disappear, but let us have a discussion of best practices when positioning these guys.
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- 19 posts total
- 19 posts total