Kontrabass, how have you configured the + and - leads -- twisted them together, tied them together? In my experience, they must be very close to one another or the sonics suffer dramatically. YMMV.
Yes, since Paul recommended twisting, I did twist the + and - wires. Initially I had them separate. This made no difference in regards to my review. It looks very hot, this red twisted wire suspending in mid-air. I'm not saying that others are in my boat - but I think I have to say that I bought into the 'sex appeal' of these cables more than anything :) And the image of "transparency" that the literature generates. IMO, they are "transparent" in that they strip away a lot of depth... sure the sound you're left with is incredibly clear...
Given that others with different equipment have identical experiences (weak bass, poor staging), I'm thinking that there are a class of listeners who just don't like much bass :) But as I sit here now, I cannot fathom how Sue Craft at Absolute Sound can say in her review that the bass is "extended, with remarkable articulation". Are the rest of us just doing something wrong? Or with a specific blend of equipment maybe this aspect of the cables is overpowered.
Anyway, moving forward, I'm curious... for those of you who have had identical experiences as me: What aspect of this magnet wire, could possibly have such a drastic effect on the bass frequencies? It's just solid copper right? How could copper strands differ so much? I'm just a newbie in this arena, and want to learn more... but if I had to guess, is it harder to "push" the low frequencies through the anticables or something?