ATC SCM 40 v2 report


Hi all.

I received a lot of help when I was looking to replace vintage KEF references (thanks again -- you know who-- for aiming me at the ATCs). So I thought I owed the forum a report on my experience with them. Plus, I'm bored.

I'm driving them with a 150 watt Musical Fidelity A308 integrated, which seems like a good match, but my expertise in such things is very limited. I'm using an okay DAC, streaming from a Mac. Cables and such are ordinary. Most of this was determined by budget more than preference.

Mostly, I agree with what others say about my passive ATCs. Their sound is too compelling and detailed to use as background music (I write) unless I send them crappy low-res stuff, which kind of defeats the purpose of the deal. This is clearly a gold-plated problem, if the word "problem" applies at all. Strangely, they turned out to be pickier about placement, at least in terms of centerstage and soundstage than the rear-ported KEFs (the new ones are  sealed. Perhaps that affects bass and wall placement more than what I'm talking about. I need the volume up higher to get the same effect, but never past eleven on the dial, with no hot amp.

They look fine -- nothing special in either direction, to my eyes. I would've much preferred the cherry finish but got a great deal on this site for a piano black pair. They''re not as big and imposing as I expected, so I didn't have to become big and imposing myself to handle my wife's opinion about their looks. :)

Anyway, THEY SOUND GREAT. That's the bottom line. Punchy, deep, detailed, airy, complex, powerful, beautiful. I stole some of these adjectives from other posts, but they all fit. I haven't discovered any genre they can't handle with elegant aplomb (I told you I write). I don't think they do badly with poor recordings, either. Crap is crap as far as I'm concerned. I don't expect any equipment to transform crap into gold (okay, I didn't say I was a GOOD writer).

I would agree that the ATCs don't do anything to boost low volume listening, and that's fine with me. On the other end of the spectrum, the complete lack of distortion at high volume is amazing. Like others, I've been able to listen much louder than before with no discomfort, allowing me to notice all sorts of stuff in the music.

Even when I don't care for a performer or a track, if it's well-recorded, the literal sound is often beautiful enough to capture my interest. I've never had that experience with other speakers. I listen to great variety of genres. I think the speakers like string and wind quartets and quintets the best, with women's voices and live bar bands next.

They're in a very complex, impossible to describe room and I've not employed any room treatment or testing. There is no spot in our house beside exactly where they are, and the opposing wall is all windows to capture a beautiful view. There's thick carpeting and complexly slanted high ceilings. All in all, the ATCs seem to do a good job of overcoming these obstacles. I'm sure they'd sound even better in another room, driven by more high-end equipment, but...

I can certainly grow into them, starting with my DAC. Someday...

So there you go.

Marc
128x128m669326
Oh, I forgot. My handle was a hastily chosen thing I could remember. I didn't realize I'd continue being on here when I went on to ask a question. It's an old employee number I remember easily from when i worked for a big HMO.
I was a car guy back in the day. I had a used 1963 Jaguar 3.8 MK 2 and then a 1971 XJ6 with a Corvette motor and transmission. What a car. I did pick out a BMWX3 for my wife, though. Great car with crappy audio (We got it used for too little to resist).
When you say you do not think they are not for background music what exactly do you mean? I am seriously interested in active pair (maybe 50s) which, I am aware yorus are not, but I have to start somewhere. Can you elaborate? Most of the time do not sit to listen which, I guess, would be background music for some.
ATC is a very respected brand one of the best in England for sure. I do not blame you for liking them so much. The studios use them a lot to mix and master on as well as other British brands like Spendor, Harbeth, Stirling Broadcast, Chartwell, Rogers, KEF, and B&W. They all have their own sounds but you picked a good one for sure.
If I try to read or write or carry on a conversation while music is playing on the speakers, it’s hard to concentrate because the music keeps pulling my attention to it. I haven’t experienced this with other speakers. There is something compelling that penetrates me if I try to do something simultaneously. I’m describing the phenomenon more dramatically than I need to to make my point. It is perfectly possible to put on certain pieces and still focus on work or whatever. It’s just a bit of a challenge sometimes.The speakers you named would be my dream speakers. I don’t think you can get anything much better than those without selling a few houses or something. They need a pretty big room, though. That’s my understanding.