The upgrade is somewhat subtle, but definitely audible, (and well worth it, IMHO).
The primary reason for me upgrading to the evolution version was that it increases the output of the phono stage by 10 db (according to Charles Hansen). I can now use fairly low output cartridges with absolutely no background noise at all. (I use a Dynavector XV-1S - 0.3 mv output).
The secondary reason is that it slightly reduces the noise floor of the line stage itself. (It was already very, very low, and now it is virutally nonexistent, thus making this an incredibly transparent preamp).
I agree with you that the Ayre K-1x is an incredible preamp. Since I liked it so much, and figured I would live with this preamp for many years, (and I have!), it was inevitable that I would upgrade it to the K-1xe. I am glad that I did. (I have used the Ayre for close to 5 years now, and I am still happy with it, and see no reason to upgrade.) If I did upgrade, I know I'd have to spend a lot of money to get what I would consider to be an upgrade in sonics.)
Good Luck!
The primary reason for me upgrading to the evolution version was that it increases the output of the phono stage by 10 db (according to Charles Hansen). I can now use fairly low output cartridges with absolutely no background noise at all. (I use a Dynavector XV-1S - 0.3 mv output).
The secondary reason is that it slightly reduces the noise floor of the line stage itself. (It was already very, very low, and now it is virutally nonexistent, thus making this an incredibly transparent preamp).
I agree with you that the Ayre K-1x is an incredible preamp. Since I liked it so much, and figured I would live with this preamp for many years, (and I have!), it was inevitable that I would upgrade it to the K-1xe. I am glad that I did. (I have used the Ayre for close to 5 years now, and I am still happy with it, and see no reason to upgrade.) If I did upgrade, I know I'd have to spend a lot of money to get what I would consider to be an upgrade in sonics.)
Good Luck!