I continue to be fascinated by all those posters who hate B+W, Wilson etc. Why do they keep responding to threads about a product which they claim to have no interest in?It really seems to bug the hell out of them when someone likes something they detest.One even claims to have owned 802N,802D and 801D and then goes on to say how terrible they are, how he was never a fan of the B+W sound. The why were you on your 3rd highend model from them? I think the answer is quite clear.
There are a number of brands I don't care much for, yet I will rarely if ever even comment on them.
If B+W is SO SO terrible then why do many studios use them for mastering? Engineers want to hear what is actually on the recording so please don't tell me they are using them to give the public what they want. They often use small inexpensive monitors in the final process for that purpose.No, they use B+W because it tells them what is on the recording.
Who knows more about speaker design, Dave Wilson, B+W engineers or you?
There are a number of brands I don't care much for, yet I will rarely if ever even comment on them.
If B+W is SO SO terrible then why do many studios use them for mastering? Engineers want to hear what is actually on the recording so please don't tell me they are using them to give the public what they want. They often use small inexpensive monitors in the final process for that purpose.No, they use B+W because it tells them what is on the recording.
Who knows more about speaker design, Dave Wilson, B+W engineers or you?