I actually mostly agree Aida....
My comment on hard to get good musicians is based on some personal letters that exist from some of the old masters, where they complain to friends on the lack of good players (in some places). Mozart was a big complainer. Beethoven was never happy with the quality of pianos.
Actually orchestras and choruses in that era were very small compared with today. I am sure partly due to supply.
Try playing a Stratavari with the old gut strings in a drafty old church or building with no environmental controls. See how long it stays in tune.
Many old works were considered unplayable in their day. Now any conservatory student can play them. Many solo works were composed for one particular soloist. It would have been harder for others. Now there are lots of people who can perform or sing them no problem.
My comment on hard to get good musicians is based on some personal letters that exist from some of the old masters, where they complain to friends on the lack of good players (in some places). Mozart was a big complainer. Beethoven was never happy with the quality of pianos.
Actually orchestras and choruses in that era were very small compared with today. I am sure partly due to supply.
Try playing a Stratavari with the old gut strings in a drafty old church or building with no environmental controls. See how long it stays in tune.
Many old works were considered unplayable in their day. Now any conservatory student can play them. Many solo works were composed for one particular soloist. It would have been harder for others. Now there are lots of people who can perform or sing them no problem.