Benefit of low output moving-iron Grado ?

Hi all,
I'm considering a cartridge upgrade from a high output (5mv) Grado Sonata cartridge to a moving-iron Grado Master cartridge, either a low output (.5mv) or a high output (5mv). If I choose the low output version, I would have to drop an additional $250 on a phono card for my Exposure amp, whereas I've already got the high output phono card installed.
So my question is....
a) is there a sonic improvement in low output cartridges, or is it more a matter of taste
b) I hear a kind of "shrillness" when vocalists use an "s", and with other very high frequency sounds.... is this shrillness reduced by using a low output cartridge?
c) does Grado's moving-iron type of cartridge have properties unlike moving magnet or moving coil that might be relevant to the other questions I raised?
Thanks in advance, and I always appreciate this forum.
Well, gosh. After reading such things as the Wikipedia article on cartridges (duh), and some various debates on forums... I feel that it is no wonder that nobody has responded yet! I am a little better educated on the matter now, so perhaps I can restate a few things. Apparently moving iron is pretty much a moving magnet in slightly lighter clothing. Therefore, I can only assume that Grado offers their select MI cartridges in both .5mv and 5mv versions, at exactly the same cost; so that the clearly subjective matter of choice between the two would depend on such things as the phono stage and other equipment, likely purchased to accommodate personal taste in high or low output cartridges.
My phono stage is a MM "phono card" which fits into my integrated 2010s Exposure amplifier, and is manufactured as an option by Exposure. I could buy the MC version for about $250 (would the MM phono card I've got handle a .5mv MI cartridge?). Maybe a relatively inexpensive $250 phono stage is better suited to a high output cartridge anyway?
My turntable is a Music Hall mmf 7.1 with the arm that was included. The Grado Sonata 5mv MI cartridge cost roughly half what the turntable and arm cost. Perhaps an upgrade to the Grado Master, while affordable for the reason of a "re-tipping discount" available for existing Grado cartridge owners, may be money unwisely spent. I couldn't afford a whole new table right now, but the cartridge upgrade could be possible, and I've used the cartridge fairly regularly for about five years now and is sounding worn. Perhaps the entire system I've got wouldn't benefit from a cartridge upgrade and I should just get another Sonata? Maybe the Sonata is the best my current turntable can handle?
So, treading dangerously close to restarting what is surely an old and well-worn debate on high vs. low output; I probably just sound like I don't know what Shinola is, or what it's not. But my current question is in earnest: judging from the system I've got, is it worth it to buy a cartridge priced nearly what the turntable + arm cost?
Sincerely awaiting advice,
A stylus has about a 2000 hour life span so you do the math! The lower output Grado has less windings and your preamp might not have enough gain.
You would have to find out the input sensitivity of your phono(.5mv or less)to make sure the lower output will work!
I use the 1.5 version of the Sonata which is called Sonata VPI!
I don't think your system would benefit with the more expensive Master!
For $400 the Needle Doctor will give you a new one with trade,they do not replace the stylus on them,they just replace the whole cartridge!
BTW: I am a big fan of Grado I have been using them for over 30 years!
By using a low output version, I suspect, you will hear very little if any difference in your system. I would check the capacitance and make sure its within the recommended bounds. Check your setup again and again to be sure it was installed correctly.. Call Grado for any hints.
Not sure how relevant my experience would be to yours, but here goes for what it's worth. I wanted to upgrade my Grado Sonata high output and so I traded it in to Grado for a low output Master 1. At the time, I was using a Music Reference RM5III as a phono stage, whose owner's manual said .5mv was the lower limit of acceptable cartridge output. Sound with the Grado was anemic and shrill regardless of whatever of adjustment was applied to the RM5III, obviously a mismatch as the RM5III sounded excellent with the 5mv. Sonata. So, I researched my options and purchased a Sutherland PH1-p, which should have worked fine (if numbers and specs were all that mattered.) That was also an ultimately unsatisfying pairing, still a bit lifeless and lacking in drive and "cohones." At that point, I took a big gulp and upped the financial ante with a RCM Sensor Prelude. This finally got me into the realm of hearing what improvements the lower output Master 1 cartridge was capable of bringing to the table vs. the Sonata. In spite of the Master 1's greater refinement in high frequency response, imaging, and wonderful delicacy of small details, the Sonata still had a greater "fun factor" and was more propulsive in the nether audio regions. Not a uniform, across the board improvement IMO. At this time, I use the Grado intermittently in rotation with an Ortofon Kontrapunkt H, which seems to have more drive, jump factor, and electrical output in spite of the fact it is rated the same output as the Grado.