Audio 999, you are correct, i've not tried the AN pre's.....and those that use them, seem to love them. but i have tried the Lamm L2 and Aesthetix Calisto Signature, and i've had other Tenor users report that they preferred the passive resistive attenuation of the Tenor integrated or Placette to any active tube preamp including the CJ ART II, Weytech Topaz, and others.
there is a Tenor user, adsal, that ordered the AN Ongaku preamp so he would have a preamp with the proper impedence for his digital source. i have not talked to him about it since he ordered it about how it compares to the passive approach in his sytem.
Zaikesman, i owned the #380S and then the #32, which was what i owned when i first got the Tenors. the Tenor passive resistive attenuation was much better than the #32 in my system. this does not mean that the #380S or #32 are not excellent preamps, it only means that with Tenors, in my experience passive resistive based attenuation is much better than ANY active gain stage i have heard. the clarity of the Tenors reveals as liabilities what an active gain stage does (to my ears and most Tenor users).
i am getting reports that the Meitner Switchman may be competitive with the Placette with Tenors.....but i've not heard the Switchman.
it would be a mistake to say that all Tenor users prefer passive to all active preamps but there is a very strong tendency in that direction.
there is a Tenor user, adsal, that ordered the AN Ongaku preamp so he would have a preamp with the proper impedence for his digital source. i have not talked to him about it since he ordered it about how it compares to the passive approach in his sytem.
Zaikesman, i owned the #380S and then the #32, which was what i owned when i first got the Tenors. the Tenor passive resistive attenuation was much better than the #32 in my system. this does not mean that the #380S or #32 are not excellent preamps, it only means that with Tenors, in my experience passive resistive based attenuation is much better than ANY active gain stage i have heard. the clarity of the Tenors reveals as liabilities what an active gain stage does (to my ears and most Tenor users).
i am getting reports that the Meitner Switchman may be competitive with the Placette with Tenors.....but i've not heard the Switchman.
it would be a mistake to say that all Tenor users prefer passive to all active preamps but there is a very strong tendency in that direction.