07-20-08: GadflyWhen I was running a DL-160 on an SL1210 M5G, I noticed the sibilance went down slightly when I got a better phono stage. Ultimately, however, I upgraded to an Audio Technica AT150MLX and couldn't be happier. It does the things I liked about the DL-160 (even tonality, musicality, good level of detail and tracking for the money), and adds several more into the mix (better tracking, more detail, higher output, better stereo separation, smoother yet airier treble, *no more spitty sibilants*, very present and solid-sounding midrange while improving the frequency extension at both ends. Fuller yet better-defined bass).
I have a DL-160 on the SL1200 and can't get rid of sibilance which does not show up on finer styluses that are on the Ortofon 2M Black and retipped Denon DL103.
One thing I noticed is that I needed to clean the DL-160 stylus after playing about 3 sides, but I hardly ever have to clean the AT150MLX stylus. I wonder if this resistance to build-up has anything to do with the difference in how it handles sibilants, or perhaps the difference in stylus shape avoids gunk *and* tracks sibilants better.
Like I said, if you like the DL-160, I think you'd *love* the AT150MLX. No need for a re-tip, and the replacement stylus is available for $179.95, or the price of a DL-160.
I really like the DL160. The slightly warm midrange, energetic expanse of the display, definition/detail, topend extension. But the stylus is it's weak spot even though it is supposed to be a finely made elliptical. I plan on getting it retipped with a fine line stylus which should rid it of all distortion, improve already good tracking, and finally rid it of all sibilance.