Best high end monitors?

Atmasphere,
How much are the S7 and P7 as asked by Pedrillo please?

Gawdbless, the best I can make out is that they are around $5,000/pair.

Atmasphere,
Have you listened to the Ridge Street Sason's with your amps? Their published specs are almost identical to the speakers you like from High Emotion Audio.

Phaelon, I've yet to hear them, and looking forward to it. From what I've heard, they are a good combination with our stuff.

Wow, doesn't anybody recognize that tweeter on the High Emotion monitor.
It's on thousands of Radio Shack speakers. It's the Lineaum tweeter invented by Paul Paddock. It's a great tweeter too.

Looks like a derivative of tweeter, probably many times more reliable, since the old lineaum tweeter did not last long and had problems with distortion. As this company had 2 patents on the tweeter,they did make a headway with the technology.

Another fine monitor is the AAD 7001

Jls3, HEA acknowledges that the tweeter looks similar, but insists that that the basic operating principle is quite different, hence their patent in the area. They also have a patent on the manufacturing process. I have spoken to the designer- the tweeter is about 97 db on its own. There are actually two of them integrated into the tweeter module- one front firing and one to the rear.

It is very fast, faster than any conventional dome tweeter, yet fails to draw attention to itself. Frankly, after living with this speaker, its hard to take other monitor-sized speakers seriously, price no object. It really is one of the best ones out there.

let's add the new magnepan speaker that was introduced at the show 2009.

A great monitor but needs a lot of power.

meat on the bones ... mbl 101, ohm walsh, hhr-laser tls-I, german physics - only walsh-like omnidirectional drivers can do it (forget decware,morrison,duevel)- they put much more well distributed energy into the room - the hhr-laser (ohm f remake) is even a singledriver-pointsoure - think about that.

best affordable 2-way monitor ... genelec 8050A - progear,active,8",cast aluminium cabinet, gainclone amps - best nonesoteric technology available on the market for a progear price. pair with a good tube pre (aesthetix/einstein...) and you could be happy

its only a matter of taste and time, spent on checking gear and adjusting your roomacoustics

good luck

stp

So my search for really good monitors continues. Here's what I have been auditioning:

Focal Electra 1007 BE
Very nice, but midrange is too lean for my tastes and the tweeter can call attention to itself (pretty much exactly how TAS called it).

JM Labs Micro Utopia
I love the midrange on these speakers. They have meat on the bones, but they are dark as hell up top - at least in my room. Saddens me because I'm in love with these otherwise, but I need that sense of air that these seem to mask.

Salk SongTowers
Not exactly a monitor, but light enough that I can move it in and out of the room (which is a necessity as I setup my 2 channel listening in front of a huge movie screen). It gets rave reviews but sounds very solid state and harsh to my ears (and with my Theta Citadel 1.5 amps). It does however allow me to hear what's on the recording which I appreciate otherwise.

Aerial Model 9's
These are my home theater speakers that excite the room way too much (4 bass drivers per speaker). I only mention them for reference. Not my cup of tea for 2 channel.

So I don't know what to try next? Usher Be-718? I'm looking for detail, air but meat on the bones. Don't care about extremely low bass as I have a Bryston crossover and a pair of F113 subs.

Try a tube pre-amp with any of those speakers.

As a fan of separate monitors and subwoofers, I agree with several posts here with the following caveats:

German Physiks Troubador 40. Almost as pricey as Magicos, though.

Genelec actives, but their low 10kOhm input impedance is a no-no for many (most?) tube preamps.

AAD 701;

And one of my favorites, the little known and relatively cheap Lenehan ML1 from Australia. Check the Audiophilia reviews.

I've heard many hi-end monitors but the AAD 7001 is the best I've heard.

The long retired Artemis EOS Signature was one of the all time greats as well but rarely available in the used market.

I've been into this whole audiophile thing for over a decade ... and by far the best monitor i've heard has been the timepiece 3.0 from SP Tech. Nothing even came close to it.

You should probably try the Ushers to satisfy your curiosity. Also, i would add the new Tyler Decade 3 and Decade 4 monitors to your list. I would normally recommend the Merlin TSM's, but I'm not sure they would be the best choice with your amp.

Cruz, why would the Tyler's work but the Merlin's may not?
Have you heard both in your system? I am looking at Tyler Decade D3's but I have not seen any review or posts about them until now. All I know is that the new Tyler is supposed to be much more transparent than the older design. Not as warm sounding. Thanks.

Jp1208 I am not sure I agree with your statement about Ty's new line being more transparent. Ty seems to think it is a litte warmer. Maybe a tad but not much.

Mark-Daniel Maximus Monitors. Provided you feed them plenty of power.

Samzx12, I am in the same boat as Madfloyd. We both have JLA F113's and are looking for that transparent monitor with bite or meat on the bones. Midrange must be full and balanced and the top end airy with nice extended sparkle. Too warm or polite at least for me is not going to work. From what I have read now it seems the older Tylers were already on the warmer side of nuetral. I am not sure what has changed now except that the new line may have even more warmth to them. However, I just read the review on the Tyler D2 and it reads the opposite of being warmer. It actually reads more like what I would want. The D3 being a monitor should only give in to the low end but could image better and have a slight edge on extension. Not always though. I will be watching for more reviews on this new Tyler line. Just to clarify, transparency and brightness are two completely different musical adjectives to me. I am not sure if you thought I was implying transparency was the same as brightness because I wasn't at all. Now if Ty added more refinement to where the sound grows bigger in all directions then of course the speaker is going to disappear that much more. The only way I know to do this is to start going flatter not fatter.

The D3 will be my next speaker along with a sub.

I interpreted your description wrong and I understand what you mean now. Transparency does not always mean brightness. I can't stand brightness. IMO I consider most Thiels on the bright side. You might want to give Ty a call and discuss. He is very helpful. I have heard his whole line except for the Decades. He didn't have any of them finished when I visited his business last. I did see the D2's. I like the look and considered them but I have to have a smaller speaker. Wish I had the funds for a dedicated listening room so I could get a larger floorstander. Goodluck in your search.

Jp1208, I just meant that Merlins are normally considered better mates to tube amps, as opposed to the 400w ss amps used by the original poster. They may very well work, but on paper I don't think its the best match.

Cruz, In this regard then I would hope the Decade line moves toward wanting some tubes somewhere in the system. Meaning a flatter tonal balance. No coloration if that is possible. Driver integration without holes if you will. You can mix and match SS and tubes. Flexibility becomes more apparent. Lean too much toward warmth or detail and the flexibility shrinks. I am sure there are people using the new Merlin line with good solid state with very good results. I heard the Merlin line a very long time ago so I can't imagine how they sound today. It was shocking how a small speaker filled the room they were in. The mids were extremely fluid and integration between tweeter and mid was seemless. Not a lot of bass but that I am sure has changed.

Below is a quote from Bobby at Merlin from another current thread that sheds some light on his thoughts on amps:

i have used the joule and atma otls at shows for 10 or 12 years now. swampwalker makes a number of points i would agree with comparing the two. the merlins have a benign impedance characteristic which makes them very friendly to any type of amp, really. my favorite are otls and certain lower powered transformer coupled class "a" amps. there is also a more powerful 100 watt stereo amp made locally that i think the world of too (cat). the speakers were definitely designed around more delicate tube amps and that is why i like to use otls at shows. their uncomplicated sound pulls on your heart strings.
i personally own the joules vzn 100 mk ivs, as many of you know.

Ty's speakers like tubes Jp1208. When I finally introduced tubes in my system a few years ago I realized what I had been missing.

These are the perfect transducer for 150Hz-35KHz. The speakers are so accurate, they are used by prominent recording studios to point out the recording mistakes of others (amateur).

MBL 121s would be another contender - I'm biased, as I own them. They may be overpriced though. I'm also going to be adding a pair of F113s over time, as funds allow. I'm hopeful of getting the same seamless room integration. As someone else said, an omni design like these affords better flexibility with placement.

Oops, did not get the name in my previous post: Manger zero-box 109s are used by world renowned recoding studios.

JM Reynaud Offrande , incredible nice looking/sounding monitors, for a real world price.
Those Magico`s are complety overpriced!

PMC - active if possible