Maybe I've been the more fortunate one to have purchased the better DG recordings, unknowingly. Mind you, I may not have years of exposure to classical music and recordings like many of you, but at this point in my progression, I favor more toward the DG releases than I do others I've mentioned previously(EMI, Telarc, Sony, RCA, Hyperion etc). Even the release I have purchased (Saint Saens No3) from multiple labels.
The DG releases have a more sense of immediacy. They tend to have a stronger presence in the recording than other, IMO. This is a quality in the recording I like...a lot. It could be the recording techniques used; I'm not sure. Regardless, it sounds great on my system. Then again, could it be the system? It's more mid-fi in quality. Not mass market, but not high end either.
I'll have to be a bit more discerning in my purchases from here on out. I'll definitely keep my eyes open for the engineers and producers you all mentioned.
The DG releases have a more sense of immediacy. They tend to have a stronger presence in the recording than other, IMO. This is a quality in the recording I like...a lot. It could be the recording techniques used; I'm not sure. Regardless, it sounds great on my system. Then again, could it be the system? It's more mid-fi in quality. Not mass market, but not high end either.
I'll have to be a bit more discerning in my purchases from here on out. I'll definitely keep my eyes open for the engineers and producers you all mentioned.