Best tonearm for London Reference Cartridge

It seems not so many people have experience with the Deccas or Moving Iron cartridges.

There have been some changes: The mass of the needle mounting system was minimized by half. The bearing which carries the diamond is shaped in an L-form and does transfer the signal into electrical energy with just 1 mm of the transport way.
There are many indicators from the design aspect why this should be one of the best cartridges at all. Nevertheless the production quality improved too which used to be a small problem in the past. The differences between the Deccas are not that much anymore.

It is easy to detect that this cartridge is one of the most natural sounding transponders ever built. It displays the tone and sound like it was recorded – maybe a problem for digital ears.

Untill now i use the London Reference in my Well Tempered Signature (predecessor and more costly version of the Reference) tonearm, and this is a nice match.
Any other recommendations?

I've read on VA a good match with the SAEC WE-308 SX when mated with the heavy 18 gr ULS-3X headshell.
I've just bought this arm and I'm ready to give a chance to Decca Reference. I use the TD 124 II also !
I must admit that I have high expectations for this set-up.
My worst nightmare is a wrong cartridge/arm that could change the overall character & spirit of the Thorens.
ie : Steve (user510) reports bad about Ortofon Jubilee / Graham 2.2 and this is that I wish to avoid (a modern aspect of the usual hi-fi trends that betrays the rare quality of this TT while this arm/cart combo, performs really great in every contemporary Belt-Drive TT !!!)
We must stand with respect & integrity behind our TD 124 !

Any new recommendations?

I haven't heard the Decca in years, ...thought the sound extraordinary (don't remember the arm, but was with Audio Research electronics and Infinity IRS speakers) but greatly affected by setup. The cartridge puts lots of energy into the arm. I would think that the VPI is a good choice since you can adjust every parameter. I would experiment with damping at the pivot...use just 1 drop and add a drop until the sound closes in...take out 1 drop. Its actually easy to hear.