Best Tonearm Match for Shelter 901


I remember reading here on Audigon that some of the "best" tonearms (Graham in particular) are not suited for use with the Shelter 901 or 501 cartridge -- for whatever reason.

If anyone has recommendations for what they consider the best tonearm for the Shelter(s), I'd love to know what those arms are and why they would be a good match.

Also, if you could expand on why certain arms may not work well with this cartridge type -- I'd like to learn.

I currently use the Shelter with a Linn Ittok tonearm with what seems like great success, however I am in the process of building a Teres and would like to purchase the best arm possible for that table.
bwhite
Hi Bwhite. I am the one that is espousing the opinions about the unipivots not being ideal with the Shelter.

It is not a matter of whether they will work, but how well. I'm sure that there are many unipivot owners out there using low compliance cartridges, and my aim is not to irritate them, but to mention some important points.

First, out of the many unipivots out there, the Graham is probably the most likely to work better with a lower compliance cartridge. It has outrigger stabilizers which will help alot to stabilize the arm with the low compliance cartridges. Since I first made my statements, I have received many emails from unipivot users who claim good results with the Shelter. I don't argue that point. I'm sure they do sound good. I simply make the distinction between sounding good and ideal. There is a difference, and it is audible. If you make an ideal match, then the combination will give you what you are looking for, and not just "nice". A Shelter in just about any arm will sound real good. It's an awesome cartridge. What we are after, is the exceptional sound it is capable of.

For this, we require a gimbal-bearing arm of high quality and great design. It is more important when compliance is lower, to have a very stable platform for the cartridge to work from. Unipivots are inherently unstable, and are not the best choice for a cartridge that feeds alot of energy back into the arm, like a Shelter. For a Benz or Grado or something like that, unipivots are fine. And they have some characteristics that are very desireable, which is why many people choose them. But for this application, I don't think the unipivot is the arm to choose.

So, now we want to examine the gimbal-bearing arms that may be well suited, and there are quite a number of them. I personally have chosen an Origin Live Silver arm at $790. It performs in an outstanding way with the Shelter. It has the medium-high mass needed, and it has great bearings and a very good design all around. Most of the newer SME series will do fine, as will the Linn tonearms, and the Breuer, or Rega upper level, or OL modded Rega arms, also Triplanar. I've certainly left some out, but you get the idea. If you like a linear tracking air-bearing arm, then the ET-2 mentioned above is very nice.

If you want to know what I'd recommend as a first choice, I'd say get the Origin Live Illustrious. I know that the OL arms make a great match with both the Teres TT, and the Shelter cartridges. They provide excellent stability and super detail. They have liquid midrange very much like a unipivot, which provides the musicality that people want when they get a unipivot. But they have the solid bass response which is often lacking in most unipivots. The lateral mass is increased for superior cartridge performance, and have light enough vertical mass for good warp tracking. The resonance behavior is superior, and is very high rigidity. It is generally more musical than the SME, which has more analytical nature. It is less colored than the Linn arms. It has better resonance characteristics than the Rega arms. It has a better lateral mass component than nearly any other arm. For a lower compliance cartridge like the Shelter, the OL arms would be my first choice for top performance in all aspects. It is a distinct possibility that the Illustrious may be the finest pivot arm made at this time. I have the lowest level OL arm( but I did some special TWL mods), and it kicks serious butt with my Shelter on my Teres 245.

Of course, all IMHO.
Hi Twl... I knew it was you who mentioned the Graham not working with the Shelter --- but I just didn't want to mention any names. :)

Thanks for the fantastic reply. It is very much appreciated.

I've looked at the OL Arms and find them to be very interesting however (and this is going to sound lame) they do not appear to have the "adjustment knobs" that other arms (Graham, Linn, SME) have -- or do they? I've been a bit timid to pursue an arm which would require more set up knowledge than I have and the OL (Rega's too) see somewhat spartan in their feature set. Perhaps you can clarify this for me?
I money is not an object check out Shroder Ref
You can order it matched to your Shelter

http://www.audioadvancements.com/tonearms/shroder.html
Twl what is the compliant specs for the cartridges you mention: the benz and grado vs. the shelter? and ZYX's for that matter. Or tell me how to read them. All I could find so far is a 15 for the Benz. I really don't understand what that means.
Brian, the OL Illustrious has a VTA adjustment screw on the base, very similar to your Linn Ittok. The anti-skate bias is set with a weight on a thread, just like the older SME arms used to have. This is very simple, and reliable. No big deal. As far as setting tracking force with a
knob, it is known that setting VTF with the counterweight is the preferred method, and that is how OL does it.

I know some arms have VTA on the fly, and more adjustable this and that. But the bottom line is that any adjustment mechanism also has potential for movement or vibration, and may or may not need alot of changing. Most adjustments are only done once, when you set up the arm. Except for VTA, and I will grant you that some other arms have an easier VTA adjustment mechanism than the OL. But the OL is not really that difficult, and the arm is very good. And all the necessary adjustments are present.

There are other good arms out there, but it's my opinion that the OL Illustrious will beat most or all of them in most any application, especially with a low compliance cartridge. I don't have an Illustrious, I have a Silver, but I'd like to have an Illustrious. The Silver is a pretty damn awesome arm too. Not very fancy looking, but it really delivers in the sound department. The Illustrious is even better, and it looks real cool too. There may be some certain areas that another arm may do slightly better, but none will do all areas combined better than the OL, in my opinion. At least, not in a pivot arm. Of course, this is a matter of opinion, and this happens to be mine. Others may differ.