Thanks everyone for the input and well reasoned arguments.
See, the thing I noticed when I bought the Passes was a transparency that I didn't seem to recall from the Krell 700cx I had. With the Krell I think to recall a more relaxed sound, the Passes are simply atomic.
This had me for a while going "wow", but sometimes, on some recordings (specially remastered issues from Verve), it can be too much of the "goodie". Not that I'm saying the Passes are overanalytical, but perhaps the combination Pass/Utopias is such that a little less here and there wouldn't hurt in the long run.
Perhaps overall any McIntosh SS amp will get me back to a more relaxed auditioning, and without having heard any of the big blocks, I'd also agree that in theory the 1000s could be more relaxed.
My desicion is made, I'll get me a pair of McIntosh monoblocks, and while my heart says "go for the 1201s" my instinct says "the 1000s are the best choice for your boxes"...I'll keep listening any and all advice.
Thanks again
Best regards,
Marcelo
See, the thing I noticed when I bought the Passes was a transparency that I didn't seem to recall from the Krell 700cx I had. With the Krell I think to recall a more relaxed sound, the Passes are simply atomic.
This had me for a while going "wow", but sometimes, on some recordings (specially remastered issues from Verve), it can be too much of the "goodie". Not that I'm saying the Passes are overanalytical, but perhaps the combination Pass/Utopias is such that a little less here and there wouldn't hurt in the long run.
Perhaps overall any McIntosh SS amp will get me back to a more relaxed auditioning, and without having heard any of the big blocks, I'd also agree that in theory the 1000s could be more relaxed.
My desicion is made, I'll get me a pair of McIntosh monoblocks, and while my heart says "go for the 1201s" my instinct says "the 1000s are the best choice for your boxes"...I'll keep listening any and all advice.
Thanks again
Best regards,
Marcelo