Bob Weir: "George Jones is my favorite musician."


 

I have a new-found respect for Bob Weir! Though I consider Jones a singer, not a musician. A matter of semantics, perhaps. Many other singers consider(ed) Jones the greatest, including Gram Parsons and Elvis Costello. When it comes to Country music I myself reserve the top spot for Hank Williams. Hank was of course also a great songwriter, which George was not.

The quote is one spoken by Charlie Starr of the band Blackberry Smoke, in a conversation he had with Otis Gibbs. Otis tapes interviews with singers, songwriters, and musicians he meets in his travels around the U.S.A. (mostly, though also in other countries).

Also mentioned in the interview is that Weir likes to include the song "Up On Cripple Creek" by the Band in his live shows. I find it very encouraging that younger musicians like Starr still find the music of The Band highly relevant, as is made obvious in the video.

Like Weir I grew up just south of San Francisco (he in the Menlo Park area, I in San Jose/Cupertino), and in the late-60’s/early-70’s there was very much a "back-to-the-roots" movement amongst musicians in the Bay area. Everyone I knew was listening to The Byrds’ Notorious Byrd Brothers and Sweetheart Of The Rodeo albums, The Flying Burrito Brothers, Dylan’s John Wesley Harding and Nashville Skyline, Dillard & Clark, and especially The Band. Many songs by these bands and artists were being performed live by locals. Merle Haggard songs were also regularly heard being performed live in Bay area bars and clubs.

In conjunction with the above, we were all going back in time, investigating the origins of Hillbilly/Country & Western music. New Roots bands were popping up around the Bay area, including Asleep At The Wheel, Commander Cody & His Lost Planet Airmen, and Dan Hicks & His Hot Licks. The Dead joined the movement with their Workingman’s Dead and American Beauty albums. Better late than never. 😉

 

 

 

 

 

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@hifiguy42: Love Wayne Hancock! An old bandmate of mine (Paul Skelton) plays guitar on Wayne’s debut album, Thunderstorms And Neon Signs. Wayne made his appearance during the CD era (1995), but a couple of his albums are available on LP for you vinyl purists (I’m looking at you @slaw 😊). Let’s not forget to mention Hank Williams III, who covered one song from the album.

 

While I’m at it, let me bring to everyone’s attention a few other duo’s who make music featuring great 2-part harmonies in The Everly Brothers-style:

- I’ve already mentioned Larry Campbell & Teresa Williams, but they deserve to be re-mentioned. Great songs, great singing, great musicians.

- Another is the pairing of Australians Kasey Chambers and Shane Nicholson, who made two albums together (they were also married for a time). Kasey also has a buncha solo albums.

- Foster & Lloyd made their debut in the mid-80’s , part of the New Traditionalist movement that included Steve Earle, Randy Travis, Lyle Lovett, Marty Stuart, Ricky Skaggs, Rodney Crowell, Patty Loveless, George Strait, Clint Black, Keith Whitley, etc. They’ve made four albums together, spread out over time. Radney Foster is pure Country, Bill Lloyd more of a Power Pop practitioner. How the two ended up together I don’t know.

- I think everyone already knows about Gillian Welch and David Rawlings, right?

There are other artists who regularly employ 2-part harmony singing, none more so than Dave Edmunds. At first he harmonized with himself (via the luxury of multi-track tape recording), but once he hooked up with Nick Lowe the two became a great team.

 

The Everly Brothers were not only great harmony singers, but Don Everly was a master at playing acoustic rhythm guitar (on the custom Everly Brothers model Gibson, based on the fantastic J200, my favorite acoustic. Emmylou Harris likes it too.) Their recordings also feature the best of the Nashville studio musicians, as well as exceptionally good recorded sound. And they had their choice of the best songs, particularly those of the husband-wife writing team of Boudleaux and Felice Bryant.

 

No discussion of 2-part harmony singing is complete without mention of Paul McCartney and John Lennon. Though they based their early duo-style singing on that of The Everly Brothers (okay, they copied them 😊), the radically different textures of their two voices did not make for an ideal blend. Yeah I know, a minority opinion.

 

Feel free to add your own suggestions. You can’t have too much harmony singing!

 

Let's not forget Buddy and Julie! It was their harmonies on Rock, Salt, and Nails that first caught my ear. Their harmony techniques are sometimes like each singing a different lead melody that just happen work together. 

When you talk 2 part harmony singers I think you have to include Crosby & Nash. Also Richard & Linda Thompson, Simon & Garfunkel, Alison Krause and Robert Plant. And of course there are way too many bluegrass harmonizers to list them all.

@tomic601 

"Last of the Outlaws" is the one I like best, so far. Really enjoy that one, start to finish.