Brubeck's 'Time Out' listeners


Been tweaking my system (mostly room and rack) and heard something for the first time.

On the 'Take Five' track, when Joe Morello goes into his drum solo, am I hearing a reflection off of Eugene Wright's bass? It's right were Wright is playing. It's ever so delayed, but *there.*

Yikes!

I never would have thought my system (with tweaks suggested by you guys) could resolve something like that.

To those who are familiar with the recording (20 bit remaster) let me know!
mprime
Ben, thanks for responding. While I appreciate a good fart joke, and do feel this hobby can push you into utter absurdity, I would like to go through this with another member of the forum.

Anyway, the particular spot begins in Track 3, 'Take Five,' @ 2:37 and through 4:20 when Desmond reenters the mix. My 2:37 mark in the recording begins with the other players pulling back and Morello entering with a drum roll up followed by a hard thwak. Ever so slightly later, from the just right of center position, there's a reflection. Right where Wright is playing. This effect continues for minutes, to varing degrees, with a final pronounced reflection @ 4:18 just before Desmond reenters.

If this is what I think it is, then I find it amazing. While it is a reflection of *some* sort, to have it come of the bass is significant to me. For I have grown up in a family of muscians, have many as friends, and frankly, when I listen to them live, I find there to be so many secondary acoustic effects that it can be a bit much to listen to critically; I simply become overloaded with information and must focus on a particular player to keep from being distracted. That my system could picking up a second order effect of this magnitude is amazing.

So, Ben, thanks for your thoughts. And Mbhcid, if you listen critically to this, could you tell me if it is a tape splice or something else?

Best to all (particularly to Tarsando and company for the good laugh :)
I just replayed my 20 bit recording of Take Five listening for the "reflection" you describe. I heard only kick drum thwacks at 2:37 and again at 4:18 - neither of these relate to the tape splice i'm referring to which occurs at 1:50 following Desmond's solo, and just before the start of Morello's solo.
Mprime, I've listened to this track several times at different volume levels, and there is no doubt that something a little different going on in the interval you describe, I'm just not sure what it is. I have not seen the live performance, so I cannot faithfully place the bass position, but as you're claimed - just to the right of center there is some sort of reverberation. I'm wondering if perhaps it's just an extension of kick drum thwaks?

I'll try again tonight on my Stax Omega II headphone rig which resolves quite well.
Thanks for the follow-up Wm.

Mbhcid, how do you know it's a splice @ 1:50? Not to question you, but to learn.

Thanks,
Mprime-I'll have a listen tonight or tomorrow and let you know what I hear..........