Cables for ML380S/ML332/Res Aud CD-55


Looking for advice/experience with cables for ML332/ML380S combination and Resolution Audio Cd-55. Speakers are Dunlavy SC-IV's and speaker cable is Kimber Bi-Focal XL. I have been using Magnan VI balanced between ML332 and ML380S. Thanks for the advice and recommendations in advance. Best wishes, Bill E
lakefrontroad
Hi Doug28450 Since you're planning to upgrade to Ultra's, please share with me what limitations/problem(s) still need solving with the TA SB and SS cables. Also, where are the strengths of your current set up. You didn't mention which speakers you're using. Please do. Best wishes.
Hi Carl-eber Sounds like you have found a great combination for you. I don't have much listening time on Krell amps. How do you describe their strengths vs Levinson? Also, please share which speakers you use. Best wishes.
Lakefrontroad, when I started the cable upgrade process I had inexpensive Tributaries that the dealer gave me when I bought the system. He (the dealer) started me off with the basic bottom level TAL cables. After a couple weeks of listening he moved me up to the Plus level. It only took a few minutes to conclude that Plus was now the minimum level. Again, a couple of weeks of listening and I picked up the Super level wires. Same process, then off to the Super/Ultra comparison. At that time I wanted to stay at the Ultra level, but couldn't find the cash so I stuck with the Super. That was about three years ago. I recently borrowed the Ultra's again and confirmed my desire for them. The difference to me, is more resolution, detail and a more coherent soundstage. The soundstage is wider and deeper and the instruments take on a more defined position in space with space between them. As far as the Super's go, they are outstanding cables and I have been very happy with them. I don't hear any problems with the Super's. But, after hearing the Ultra's, they take the system one more step closer. The next step in the TAL line from Ultra is Reference. Unless I win a big lottery jackpot Ultra will do fine. My speakers are B&W 801 Matrix III's. When I upgrade the speaker cables I am going to go to either Bi-wire or Bi-cable. The TAL Ultra Bi-wire is more detailed, analytical and dynamic, while the Bi-cable is a little more relaxed and warm. Some things to keep in mind with the Transparent cables (actually these probably apply to all cables). Balanced is more dynamic, detailed and analytical than single-ended. You also get some gain with balanced cables. If you have a dealer who carries the Transparent line start at the bottom and work your way up. You will eventually get to a level where you improvement does not justify the price. I have listened to other cables Kimber, XLO, Cardas and some others since I bought the TAL's but they just don't make the system sing like the TAL's. The MIT's are supposed to be very good. I've not heard them, but I've seen them recommended for Krell and Levinson components in may places. Lastly, before I decided on the ML I listened to Krell as well. It sounded very nice but was too analytical, forward and and somewhat sterile for my liking. If I can be of further help let me know. Good Luck
Hi Doug28450 I've had a similar experience with slightly different goods. I started with class C goods. I then listened to class A and got the bug. I bought the ML332/ML38S and the Dunlavy's without hearing the system together. I had a pair of MIT750plus mono wire speaker cable and Sonic Euphoria RCA interconnects which I put between the CD player and the pre-amp. I got a pair or Magnan Vi balanced interconnects on a recommendation to go between the pre/amp and amp. I also have a pair of Cardas Golden Cross balance interconnects which go between the cd player and the pre-amp to tone down bad cd's. What's lacking is incredible detail without brightness. I have a set of Kimber Bi-focal biwires in transit to me which may enhance the lower mid range, but I've been told often that silver wire may be WAY TOO BRIGHT with my combination of pieces. I have not heard the TA speaker cables, so I am interested in your experience. I have heard the Purist Audio Colossus biwire cables and they're great. Too bad I couldn't find a 20 foot pair. I am upgrading my ML38S to a ML380S currently. I hesitate when I write I hope that this will gel. Ain't that the rub! I'm sure the additions will have a life of their own. Thanks for the imput. Best wishes, Bill Eichengrun
Paragon Radiant speakers (5 inch "mtm" w/Dynaudio drivers), or Magneplanar MMG's in a smaller room. I have not had a Levinson amp in my home, but can't imagine that this MIT interconnect would not get the best out of it (mine is a 2 meter run, and it IS likely that a much longer run would not sound as good...nobody ever gets to do an endrun around insertion losses, no matter what bs they sling). But then, you can't know ahead of time, before you try, so get started. Rent cables from friends, or The Cable Company..............Of interest, Kimber Bi-Focal is not a silver cable, it is all copper. The only silver Kimber speaker cables that I'm aware of, are 4AG, 8AG, KS 3035, KS 3038, and 88. Also, I have Purist Audio Colossus power cords; but as good as they are, I preferred the Synergistic Reference Coupler power cord, to all others I've tried with my Krell (including FIM and Shunyata). I'm holding out for a used one of sufficient length.......Also, I can't imagine why you would prefer using the Levinson linestage with the CD55 (instead of driving the amp direct with it), unless it is just really wimpy compared to the CD50 that I have. When driving either of my amps directly, mine has the dynamics of life, even of an "avalanche"!! Also reminds me very much of analog. It beats everything I've heard by a mile, systems costing many times what mine costs. It need only be left on a week or two, and then look out! It's astoundingly good. Perhaps you could sell your CD55 and 380S, buy a CD50, and spend the savings on some "real" cables, IMO.