Capacitors for HP filters in tube amps recommendations?

Dear @bdp24  : I know that now maybe is to late but I will post anyway because I just made a huge caps discovery.

"  If they’re good enough for Nelson..."""

My discovery was exactly WIMA caps that not only for N.Pass but for electronics in all the world WIMA is the true standard in the industry and for very good reasons I never experienced before till I tested and learned why is the industry standard.

I was using at the input of my Levinson monoblocks the V-caps teflon Cu for the same application that you are doing.
Well I just changed that truly expensive V-cap ( top of the line. ) for the humble Wima FKP 1 and Wima outperformed very easy.

Before that electronic cap change I changed all the boutique expensive and heavy colored caps ( Duelund, Mundorf, V-caps, Jantzen, Sonicraft, that I own it. ) in my 3-way crossover speakers. I use here the Wima MKP 10 model and happened the same: Wima outperformed all those " high-end "  caps.

Nothing compares against Wima, no matter what.

I came to this specific forum looking for an advice for a harmless/signatureless caps for my speakers and posted a thread about.

I posted the thread with out any agenda but looking for help and through that thread and with out any Wima recomendatiopn I pull the triger for it.
You can read that thread and know how and why I decided for Wima.

Btw, the FKP 1 and according the Wima site is the top cap for our applications and you can find out therough Mouser that is where I bougth all my Wima caps and I don't care to much of the Wima tolerance because it measured really near the capacitance values even if the tolerance is 10% or 20%.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.                   

I pulled WIMA MKG-4 .47@ 250v in a VTL 300 Deluxe, replaced them with a really good VCap. LOL, two months later thinking it was a breakin thing, pulled them and put the USED WIMA caps back in.. Sounded wonderful again. Crazy I'm with you they are a great cap, my first Watt B5 is packed with WIMA, My new Mcintosh PACKED with WIMA. High quality, LOW prices in comparison... 5.00 USD, Vcaps 100.00 USD at the time..

Regards

Dear @oldhvymec : Wima comews not only in your electronics mentioned or in my Levinson monobloks but comes too in very expensive/cost no object high end electronics:

https://dartzeel.com/en/

https://s3-eu-central-1.amazonaws.com/dartzeel/wp-content/uploads/2017/12/30104100/nhb-108-model-2-upper-front-735x470.png

http://www.theaudiobeat.com/visits/ch_precision_upgrade_addition.htm

or in this 250K+ amplifier:

https://www.dandagostino.com/products/relentless-monoblock.php

http://cdn.dandagostino.com/images/products/relentless_monoblock_3.jpg


Passive high-end/boutique parts as caps are only the snake oil we " high end " audiophiles are looking for. All of them are full of " nice " colorations when Wima humble ones are true signatureless and harmless caps to truly honor MUSIC.

Differences between high-end audiophiles and real MUSIC's lovers are like the differences between Duelund and Wima caps where obviously Wima is for the music's lovers.

Over 40+ year in audio I just learned what I said in that last statement and I did it through first hand experiences.


R.

Well, everyone's "first hand experience" will be different. Wima makes excellent industrial caps. I used them in my Spectral DMC 10 rebuild as the final output coupling caps and they sounded good. But the Mundorf silver gold oils sounded much better in the DMC 10 by comparison. If there really was no difference (or the WIMA was superior) I doubt if Mundorf would continue to get the prices they charge over the Wima. As Nelson Pass states, audiophiles vote with their wallet.

I can't see ANY poly propylene cap out performing a teflon cap like the VH. This is quite commonly accepted and reinforced in reviews like the Humble Homemade  Cap tests. What a manufacturer uses in his product may be the result of a number of factors, sound quality being only one. Costs, size and availability may be others. For example, Bryston uses an electrolytic cap in the output of their BDA products, much to my chagrin. Speaking with their engineers, they "reassured" me that this cap was chosen from listening tests. My own tests with that cap removed proved they were sadly mistaken. The BDA sounded much better with that cap removed. BTW, Bryston only uses this cap to remove the very small DC offset, no other reason.

The Dahlquist DQ-LP1 crossover used a passive HP section.      It’s manual contains a chart (and formula) that you may find of interest.     https://sites.google.com/site/mpbarney/home/dahlquist-dq-lp1                When I was using my modded version, Michael Percy was my go-to guy, for Polypropylenes, Polystyrenes, etc, that he’d match to 1%, plus: a wide variety of other nice, parts/pieces/materials.      His service and expertise were consistently excellent.      Can’t swear that he’s still in business, since it’s been years, but- his site’s still up: https://www.percyaudio.com/Catalog.pdf         Personally; I never paralleled capacitors, unless they were identical, to avoid any possible time-constant disparities.