Thanks for the tip Reb.
Do you suggest using the RTX as a bypass on just the PPMFX or trying it on the Mundorf as well?
Maybe I'll get a couple of extra .15uF RTX caps to try with my SP16. It uses ARC branded 1uF Relcaps (labelled PP3MF) at the output.
Ironically, I changed a few things around tonight and have the Cary sounding much more to my liking. When I put it in the system a week ago I sat it on top of the SP16 to make it easy to compare the phono stages. Just tonight I've moved the preamp down a shelf and Cary now rests directly on the top (granite) shelf of my rack. This allowed me to experiment with different footers etc. Currently I have some old (Shun Mook!) steel spiked ebony footers under the Cary and I'm getting a marvelously spacious and dimensional soundstage with much better focus and presence than when it was plonked on the SP16. Probably doesn't hurt that the components are now spaced well apart either.
The Cary is whipping the SP16's phono stage big time now - much more spacious, airy and harmonically complex.
Will still be fun to see what the different caps will bring to the sound.
Do you suggest using the RTX as a bypass on just the PPMFX or trying it on the Mundorf as well?
Maybe I'll get a couple of extra .15uF RTX caps to try with my SP16. It uses ARC branded 1uF Relcaps (labelled PP3MF) at the output.
Ironically, I changed a few things around tonight and have the Cary sounding much more to my liking. When I put it in the system a week ago I sat it on top of the SP16 to make it easy to compare the phono stages. Just tonight I've moved the preamp down a shelf and Cary now rests directly on the top (granite) shelf of my rack. This allowed me to experiment with different footers etc. Currently I have some old (Shun Mook!) steel spiked ebony footers under the Cary and I'm getting a marvelously spacious and dimensional soundstage with much better focus and presence than when it was plonked on the SP16. Probably doesn't hurt that the components are now spaced well apart either.
The Cary is whipping the SP16's phono stage big time now - much more spacious, airy and harmonically complex.
Will still be fun to see what the different caps will bring to the sound.