CD's you bring for auditioning


Do you also have some CD's which you use to audition equipment and which will reveal immediately shortcomings, eg I use

Buddy Guy - Sweet Tea (first couple of tracks can be unbelievable hard to listen to on some equipment

Pink Floyd - DSOTM, checkout the bass, the clocks can sound 'washed' up on some over-tubed systems

Pink Floyd - The Wall , played at loud volume will immediately reveal shortcomings on loudspeakers

and yours...
vinylmeister
I always use something from Greg Brown. Great for checking out midbass richness. His voice shouild sound appropriately gravelly and powerful.
I don't like to use my favorite recordings because with repeated listening, the joy of listening to them for fun can wear off. I like to use recordings that I like enough to listen to over and over, but not ones that I really enjoy listening to when not auditioning equipment.
1. Cream Live at Royal Albert Hall
2. Diana Krall - From This Moment On
3. Ray Brown - Soular Energy
4. Larry Carlton - Greatest Hits Re-recorded
5. Lucinda Williams - Car Wheels on a Gravel Road (deluxe edition)
6. Shelby Lynne - Just a Little Lovin

Select cuts from the above CDs seems to test all elements of system performance.
and those select cuts and elements tested by each selection would be ??????????
Herman
The answer to your question is long but here it goes.

First, my listening preferences are for a wide, deep soundstage with space around vocals or solo instruments. Natural sounding mid-range. Articulate bass. I am a drummer (amateur, and bad for a LONG time) so I am very sensitive to the percussive impact of recordings and systems ability to reproduce. Natural, realistic sounding cymbals. I like "warm" sounding systems.
1. Cream - "White Room". This is an excellent sounding rock recording. Not a lot of "compression". Soundstage is wide and deep. Drums are back in the presentation. Ginger Baker plays deep into the toms. Realistic sounding cymbals. Jack Bruce bass line can be heard throughout. Clapton IS God and he tears it up on the solo.
2. Diana Krall - Excellent overall recording. Starting with cut 1, the sound of the brass should be natural and jump out at you as this great cut kicks it up a notch. Piano is well recorded as is her "scotch infused" voice. Great check for natural midrange. Jeff Hamilton is her drummer and he is one of the best. Great sounding cymbals; natural, air around them, great dynamics. Several other cuts also will tell you much about the mid-range and treble reproduction of your system.
3. Ray Brown - "Exactly Like You". Well recorded piano, bass, drums. Listen for placement of instruments. Deep articulate Ray Brown bass line throughout and solo. Gene Harris is the pianist and at about :45 into this cut, he hits a hard single note with his right hand. It should jump out of the right speaker and knock your head back. Listen for the note to decay, many systems "clip" this note making it sound hard and artificial. Natural sounding drum solo and well recorded cymbals that ring and decay!
4. Larry Carlton - You have to order this CD from his web-site. It is one of the BEST recorded CDs I've heard. Try cut 4, "Hello Tomorrow". In the first 15 seconds a solo alto sax should be presented center stage with plenty of air around it. It should sound "round". The attack of the strings from the acoustic Larry plays stands out. Check out the bass line on this cut. You should be able to follow every note. The sax recording on this cut is really good.
5. Lu - Get the Deluxe version of this one. It has the studio version and a "live" set. The "live" set is well recorded and kicks butt! "2 Cool 2 be Forgotten", great cut. Excellent vocals. Lu is center stage and you should be able to hear the "gravel" in her voice. Excellent drum track. It's a metal snare and should sound like one. Follow the bass line throughout. So many cuts on this are well recorded and can be used to examine soundstage presentation and vocal reproduction. "Hot Blood" ROCKS! If you don't get dynamics here something is not right. GREAT GROOVE.
6. Shelby - difficult to concentrate when all I can think of is an intimate encounter with Shelby. That notwithstanding, this is one OUTSTANDING recording. Cut 1 should present her voice center stage, silky smooth, breathy. DEEP BASS. Instruments presented in their own space.

Hope that helps. Remember, it is about getting closer to the music after all!
I tend to take cd's that are lesser engineered cd's than the best engineered cd's, probably unlike most of the ones already mentioned. If the ropey cd's sound musical then, a) the speakers are good, and b)the best engineered cd's will sound awesome without even listening to them.
One cd that springs to mind that I take to shows is Oasis 'D'ya know what I mean'.Its a bit brutal for speakers.