CD Transports: Data Drops Etc...

Please forgive the wordiness in advance. Having searched back and found a great series of posts on the technical aspects/sources of jitter (in a thread about differences in digital cable dating from last December), I find myself confronted with the following questions:

1) Is "jitter" purely a question of clock mismatch between the transmission of digital signal from the pickup and its reception by the DAC (whether separate or in-box)?

2) What is the source of so-called "data drops" (those data "errors" other than jitter) in reproducing the digital signal encoded on a CD? Is it vibration, something else?

And what may seem to be a dumber corollary question...
3) What effect does vibration have on the ability of the laser pickup to read data correctly? [looking for the technical answer]

This from a newbie trying to decide on a CDP/transport and wondering if build-quality should actually make a difference (Wadia 861 on a super-hard surface sounds better than on a table, wondering if rigid build-quality on Sony SCD-1 makes a difference or whether it could be built with plastic and have the same sound, and wondering whether what appears to be an ultra-rigid disc-clamping system made by TEAC reduces data errors)...

A big thank you in advance to all of those of you who contribute and make this forum interesting and informative to those of us just starting out...
For KThomas -

In the case of jitter the issue is insuring that the input of the dac sees the exact series of bits that came off the drive.

It is possible that the bits come off the drive properly but are seen as a different series of bits by the dac.

The dac wants to know the value of a bit at each clock tick and this involves sensing changes in voltage. A variety of factors can lead to the dac sensing an incorrect value.

So, reading the bits from the cd accurately is different than getting those bits into the dac with the proper timing.

I have intentionally not attempted to explain things that are beyond my knowledge. Hopefully an expert can jump in and provide more details.
Aragain - You're definitely right that reading the bits from a CD is different than feeding them to a DAC with the proper timing, but feeding the DAC isn't a whole lot different than feeding the mechanics to write data to a hard drive, and that's basically a guaranteed, bit-for-bit correct operation with even relatively cheap hardware. I won't even pretend to understand the output side of a DAC and all the things that could make one sound different that the other, but the input side is a digital interface, and digital data is how I make my living. Again, I don't know a lot about how a DAC is physically constructed, but I don't know why it couldn't be constructed with an input buffer such that you aren't clocking the data directly into the sample space in the DAC that is going to be generated next directly. Feed it into a, say, 8K buffer that in turn feeds the DAC. The buffer could be built right in the DAC chip itself, and I can't imagine arguing that perfect transfer couldn't occur from one part of the chip to another.

Another way of asking the question is why, if I can ship data 100% reliably all the way around the world at data rates MUCH higher than is required for redbook CD playback and recreate the data perfectly at it's destination, can't I engineer a solution to read a CD and transfer that information 100% correctly to another chip in the same physical box? This is especially confusing because I can turn around and do an apparently analogous operation on another electronic device that is cheap and non-optimized.

I've often wondered if high-end transports employ filtering algorithms on the digital data stream they produce. It would be very possible to read the data from the CD, apply a filtering algorithm to the bit-stream, and produce a 16-bit/44.1Khz compatible stream that is intentionally different from what is on the disc. With well executed filtering, you could certainly change the sound, possibly in a way many would prefer. I've never read a reference that explicitly says somebody's transport does this, but I don't see any reason why somebody couldn't to produce a distinctive sound. -Kirk

Followup to Aragain:

The CD system depends on the Nyquist Sampling Theorem, which states that a band-limited analog signal (22.05 khz for CD) sampled at at least twice the band limt (44.1 khz for CD) can be exactly reconstructed from the time series of samples.

A tacit assumption behind the Nyquist theorum is that the time interval between the samples be precise and equal to 1/fs, where fs is the sampling frequency (44.1 khz for CD). Any variation in the interval between samples AT THE DAC causes distortion (usually additional non integral high harmonics) in the reconstructed signal.

Thus recovering the data from the disc is only one part of the problem, and the easy part. That's why cheap CD rom drives have no difficulty extracting data from discs in computers. There is no time critical element involved in reading a file.

Audiophile CD transports have no problems getting the data either. It's the timing that causes problems. The clock signal usually starts at the transport (there are exceptions - see the Wadia 270 - 27ix combo). Any tracking problems from a warped disc may affect the stability of the clock at this point.

There are many opportunities for timing errors (jitter) to appear as the signal moves from transport to DAC. Almost all transport/dac seperates communicate using the SPDIF (Sony-Phillips Digital Interface) standard across coax or optical links. SPDIF combines the data stream and the clock together into one signal for transmission on one cable. The receiver at the DAC must extract the clock and data from the SPDIF. This extracted clock often directly becomes the timing reference to the DAC (though some processors go to elaborate lengths to stabilize this clock signal).

The SPDIF signal is itself an analog signal, and is subject to degradations in transit. Thses degradations can alter the waveshape so that the receiver has a hard time decting exactly when a clock transition occurs. This uncertainty is one cause of jitter, and is one reason that digital interconnects sound different.

I'm just scratching the surface here. Going back to T_bone's original note, one could say that the engineering is faulty. For example there are other bus schemes (I2S for example) that transmit clock and data on separate physical lines.

All things being equal (which they never are!) a single box player has an easier time of things since all components are under the designer's control and he/she doesn't have to use SPDIF to transfer data to the dac section.
Hi KThomas -

I'm in the computer game also and this same cd drive question has bugged me for a while.

One analogy is the old 'framing error' on a modem's uart where the uart's clock got out of sync with the sender's clock.

Still, it seems like this is a problem that has been solved already and could be built into a cd player.

I am trying to remember where I read a bunch of stuff about jitter. I suppose a web search would eventually turn up something insightful.

Ghost - Thanks for the info!

Still, this seems like a standard async communication problem (particularly in the single-box players) which has been solved in the computer data communications world. I think the serial rate on SPDIF is 2 mhz or 4 mhz.

If the dac is viewed as an async receiver (which I don't know if that's a valid view) then it seems existing engineering is available to get it right.

Still puzzled -