When you think about the physical compromises required of the stylus and arm along with RIAA contouring you might expect vinyl reproduction to introduce its own coloration. As with tubes, some prefer the resulting sound, a sound they can more or less manipulate with cartridge selection, tracking parameters, and phono stage selection. An original analog recording is more likely to be on tape rather than vinyl.
With digital, you have sampling decisions, but those are quantified. Unpacking digital requires another conversion process, and again quantified decisions.
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