Shadorne,
It is funny how ATC & PMC have not been as successful in the US as other companies. The truth is, they don't have the looks or the WAF to make them special. I am going to make the effort to hear them, as too many ears I respect have migrated to this direction. It is a gap in the market that really needs filling. I heard a wonderful speaker in Munich that I would almost accept. Backes & Muller. A German brand with some truly unique design elements. The sound was incredible and they use a unique "horn" type tweeter with active amplification. I didn't read a lot about it but it was one of the best sounds at the show. Something special. The price was also "special" in the 60-100K range at least.
As far as eye watering abilities, I am going to merge this conversation w. Exlibris question and do a redirect on the thread.
Exlibris,
It depends on what we listen to as our reference. The truth is a true live concert leaves me fatigued. That is for Rock & Roll. Classical is a different stor as is Jazz. But there is pressure and it can be fatiguing. I think live music is fatiguing at times as well. Especially anything with a large group. We feel the pressure.
So my question is - are we able to live long term w. the pressure or do we need 2 systems. I think the pressure will get to be much at a certain point. But any large venue does produce sound pressure/air pressure. From the crowd the room etc. Have you ever been to a restaurant w. poor acoustics. I find leaving the restaurant to be a relief after a point in time.
Is the pursuit of live vs. "musicality" in conflict. Is that why many people use SETs for horn systems? Mind you many people are using class D amplification or digital amplification on horns these days. I have a feeling that is probably too honest for long term listening enjoyment.
I am speaking in circles but at some point this hobby is steering me and many others in circles.
I just went to a live jazz show last night and I didn't find the pressure too much. But the room was very large and it allowed the sound to relax. and not overload the room. I guess the speakers we buy determine what venue we want to be inside.
It is funny how ATC & PMC have not been as successful in the US as other companies. The truth is, they don't have the looks or the WAF to make them special. I am going to make the effort to hear them, as too many ears I respect have migrated to this direction. It is a gap in the market that really needs filling. I heard a wonderful speaker in Munich that I would almost accept. Backes & Muller. A German brand with some truly unique design elements. The sound was incredible and they use a unique "horn" type tweeter with active amplification. I didn't read a lot about it but it was one of the best sounds at the show. Something special. The price was also "special" in the 60-100K range at least.
As far as eye watering abilities, I am going to merge this conversation w. Exlibris question and do a redirect on the thread.
Exlibris,
It depends on what we listen to as our reference. The truth is a true live concert leaves me fatigued. That is for Rock & Roll. Classical is a different stor as is Jazz. But there is pressure and it can be fatiguing. I think live music is fatiguing at times as well. Especially anything with a large group. We feel the pressure.
So my question is - are we able to live long term w. the pressure or do we need 2 systems. I think the pressure will get to be much at a certain point. But any large venue does produce sound pressure/air pressure. From the crowd the room etc. Have you ever been to a restaurant w. poor acoustics. I find leaving the restaurant to be a relief after a point in time.
Is the pursuit of live vs. "musicality" in conflict. Is that why many people use SETs for horn systems? Mind you many people are using class D amplification or digital amplification on horns these days. I have a feeling that is probably too honest for long term listening enjoyment.
I am speaking in circles but at some point this hobby is steering me and many others in circles.
I just went to a live jazz show last night and I didn't find the pressure too much. But the room was very large and it allowed the sound to relax. and not overload the room. I guess the speakers we buy determine what venue we want to be inside.