All this discussion about operating class is really moot if it involves ASSUPTIONS. Since I have been designing amps for over 40 years I am somewhat of an expert on the subject. The most important thing is the OVERALL RANGE OF LINEARITY. This property is obviously much easier to achieve with a class A design albeit at great expense. In the last 25 years or so, this whole situation has become rather moot as the better designs by most competent engineers have long overcome the biasing problem. The sad truth of the matter is that the average audiophile layman has absolutely no way of verifying that any given unit has been correctly designed. One must un-fortunately trust the reputation of the designer and today even that is no guaratee as there are a lot of what I call dilletantes touting themselves as great engineers. The real truth is that everyone can't be "King of the mountain". James Bongiorno formerly of Dynaco, SAE, GAS, & Sumo.
Class A amps
I've read a few articles on class A amps but still don't have a good understanding of how it affects sound quality. I've even seen amps which can be swithced into class A mode or AB. Does anyone have experience with this type of unit? Does class A have a true audible advantage or can it be detected only by test instruments? If it is audible, in what resepects? Thanks, Rick M.
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- 43 posts total
- 43 posts total