CLASSE - Great amps or highly flawed?

I'm the current owner of a DR-15. I also have (in no particular order), a Krell 300i, VTL 100 monoblocks, Quicksilver MV60, and Counterpoint SA-20. The Classe represents the best compromise of the bunch... the Krell's are obnoxious if you don't design a system around them, the Quicksilvers are dark (but very transparent), the VTLs are not too subtle, the SA-20 has a "glaze". Needless to say, the DR15 is powering my main system (Hales Sig 11, VPI TNT 2.5/JMW 10.5/Grado, Nordost cables, Black Diamond cones, Deluxe Justarack, Big Rock 3s and Air Masses throughout).

You could do a lot worse than Classe in its price range or spend more and still be worse off. If I ever got tired of my tube gear, I would go back to Classe equipment with no hesitation at all.

Classe manufactures a VERY WIDE line of amplifiers. I think their top-of-the-line is a $18k Omega monoblock.

Any description that attempts to characterize ALL their amps cannot possibly be true. I've heard the CA-301, and none of your descriptions apply at all. Not even close!

Where are you getting these descriptions and what exactly are they describing? For the most part, those descriptions are useless without the context of the system. The shortcomings could be due to the speakers, cables, room, etc.

My experience with Classe is having heard several amps over several years in several auditions of other components, and once when considering an amp purchase. I have felt like it was very hard to generalize about them. Different models have varied a lot, and the only trend I've noticed is that the bigger amps are more dynamic, transparent and extended than the smaller ones, and not just because they were bigger. I have also seen a lot of Classe on panel and electrostatic speakers, both in dealers and at shows. I certainly wouldn't bash them, as there are many brands that charge more and deliver less. Classe is definitely competitive with Bryston and Sim Audio.

Responding to Lpim, read review on CA-200, Stereophile, Feb. 97 by Martin Colloms. He used many top-notch products with it & amps to compare it to. His final analysis was that he was not totally knocked out by the Classe. He heard a sheen or emphasis in the treble; felt there was a lack of rhythm & dynamics, and it had a low listener involvement factor.
See also Bob Reina's review of CA-100, Dec. 97, where he heard problems in the upper midrange and a dark sound to the high treble. It rendered music thick & opaque.

Usually when you find more than one review that finds similar problems, it is a good indication that there are problems.

A number of people claimed that the different models sound different. I find that hard to believe when they are all based on the same circuits (except the Omega and some models below it).