If I’m not mistaken, amplifiers are part of every non-acoustic instrument. With a great deal of effort, I’ve learned to appreciate opera; but the amplified human voice is to me, far more listenable in any venue larger than a coffee house.
That said, I think it’s impossible to know what live music sounds like until/unless you actually hear it, simply because no listening room's acoustics approximates those of the broad range of acoustic environments in which one hears live music. Nevertheless, psycho-acoustic phenomena more than adequately compensates for that deficit . . . provided the playback system is linear in all respects and capable of reproducing the frequency extremes included in all live music.
My preference is two-channel analogue for the ultrasonic frequencies that convey the emotion and sound staging the performers and recording engineers intended their listeners to experience. I prefer valve amplification on accounta' it augments my GFA heating system at my sedentary listening position enough to keep me comfortable during cold winter months.
Besides, tube rolling is kinda’ fun.😀