Thanks, roadcykler for reapproaching such a topic in this Forum...
Having retired yesterday at age 78 (not great with money, enough but not large ~~) I'm going to up the ante a little and address tweaks, upgrades and general betterment over a journey of 55+ years, attempting to stay focused and trim.
Growing up around tons of live music, more in a role of designated listener, I became hypercritical early on when non-musical sounds were introduced to my systems, such as surface noise and early gear distortions. My passion for great sound has NEVER waned and a restricted budget has forced lots of experimentation over the years.
Converting to digital in the mid-90's once it struck my emotions, the focus became better wire, isolation of the gear, both internally and externally. Tube buffers, and or, tube gear in tandem with digital playback were mandatory distortions for my flavor preferences.
I had befriended a fellow with a niche hi-end store in Lewiston, Maine, who was pushing the envelope with modifications of gear, wire experiments and extreme isolation of gear, including Marigo Lab products. This is dated yet no less of value today: The Audiophile Voice | MARIGO AUDIO LAB
I suspect the expectations can be wildly different for us in improving our systems. And, yes, there is often a "honeymoon period" of excitement that can fade over time, causing us to lose confidence in taking risks. In my case, yes, there were mistakes made. However, my great passion found a fix and the process of bettering my systems has never waned.
Here, I want to repeat that there was not a lot of money. A $2,300 active solid-state preamp in the mid-1980's was my largest investment. There is little I would not try in improving my sound. Tonality... sounds = real ...has always been primary, followed closely by all the audiophile stuff...full range full body impact in 2 channel audio.
Back to expectations. I have a friend who grew up with his dad's uber Infinity RS loudspeaker system. He cares, has a capable vinyl-based system, is happy with early Blue Jeans cables, well made and do the job. He simply is not interested in what he considers "minor improvements." I suspect there are many gradations of this type of preference. In my case, I never want to be "finished," always pressing forward as knowledge and budget allows.
Room tuning and the u-BACCH Plug-in crosstalk cancellation have been huge gains in the last couple of years in a tough cube of a studio. The benefits of professionally applied DSP vastly outweigh any negatives in my experience. My recommend to those with similar passion is to be bold, self-forgiving and experiment. As I told a longtime friend this morning who is struggling with a download issue, "...it IS worth the struggle...but never fun to HAVE to muck through it." ONWARDS!
More Peace Pin (bold print for old eyes)