Dual Subwoofers?


How about the idea of a separate subwoofer for each channel, using passthrough to bookshelf speakers.  What say you?

128x128mikeydee

As it’s been said, two is better than one.  Being a bass head I finally broke down and implemented a (DEBRA) four subwoofer system and the improvement is remarkable. An immersive experience, better imaging, not just more bass but a new window into recordings. I will never go back to a single or dual sub setup. There’s lots of online information on setting up multi-sub systems or you could purchase an AudioKinesis Swarm. 

If you’re running amp to sub to bookshelf and high passing the bookshelf speakers then it seems to be essentially using a sub for each channel and if you’re running subs that high (80+) I’d situate them very close to the speakers to get ’full-range’ speakers.

Otherwise, if not high-passing the mains, I might consider two asymmetric locations for the two subs (not necessarily by them) for better low bass integration in the room and low pass them lower than normal. Depends on the small speakers I’d say.

I moved from an REL B1 to three active SVS subs and added another sub recently for four total, set up asymetrically in my main room. It works superbly for really low end bass, and stays out of the way when not needed.  I'm a +1 on D.B.A. setups.

 

@portoalegre wrote:

[Are two subs better] "even if the two subs are at the corners close to the walls?"

Yes but the improvement is not as much as if the two subs are in acoustically very different locations... like one in a corner and the other along one of the walls opposite that corner.

The basic idea behind a distributed multi-sub system is this: You want each sub interacting with the room as differently from the others as is reasonably feasible, so you want them to be in locations that are acoustically dissimilar. This way each sub produces a significantly different room-interaction peak-and-dip pattern, and the SUM of these multiple dissimilar peak-and-dip patterns is smoother than any one alone, and this improved smoothness extends throughout the room. And, perceptually, "smooth" bass is "fast" bass because it is the in-room peaks which take longer to decay into inaudibility.

If you have no other option than to place your two subs in the corners, here are two things you might try: If they have adjustable phase, set their phase controls 90 degrees apart. And if you can get away with it, elevate one of the subs so that it is closer to the ceiling than to the floor.

Disclaimer: I have been commercially involved with distributed multi-sub systems for many years.

Duke