Hi Dover,
It would seem to me that the constant corrective motion of the arm to compensate for LP production imperfections, either lateral or vertical (warps), would involve some degree of "overshoot" and, thus, generate some stylus/groove misalignment due to inertia and that a properly implemented damping system would reduce this overshoot while having minimal impact on the initial transient response, ie using a minimal amount of the damping fluid such that the paddle only skims the fluid's surface (per Frogman).
I would not argue that the use of damping is a sonic tradeoff in practice and would not be desirable in a world of perfect LPs and ultra-stable resonance-free cartridges, but perhaps it is a desirable solution in our real world of neither?
Dave
It would seem to me that the constant corrective motion of the arm to compensate for LP production imperfections, either lateral or vertical (warps), would involve some degree of "overshoot" and, thus, generate some stylus/groove misalignment due to inertia and that a properly implemented damping system would reduce this overshoot while having minimal impact on the initial transient response, ie using a minimal amount of the damping fluid such that the paddle only skims the fluid's surface (per Frogman).
I would not argue that the use of damping is a sonic tradeoff in practice and would not be desirable in a world of perfect LPs and ultra-stable resonance-free cartridges, but perhaps it is a desirable solution in our real world of neither?
Dave