Eminent Technology ET-2 Tonearm Owners



Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
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Hi Mike re: your carts my two cents.

I’ve set up two complete armwand / wire looms. One for the Zephyr and one for the Delos using the carbon fiber and aluminum wands respectively

Your carts from the specs appear to both be line contact designs.
The Zephr at 10 μm/mN compliance the Delos at 12 x 10-6cm/dyne at 100Hz. Similar compliances.

I would be running both of them on the Carbon Fiber or Mag armtubes not the Aluminum armtube - at least not without modding it. I see you have added wrap in your virtual system picture. I feel if you move the Delos to the CF it will return more information to you. Be interesting to find out.

But I don’t like to recommend activities that involved switching out carts, due to the risks involved in beheading them. 8^0

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Some perspective on the thread application.

Re: your modded TNT

Getting the tension right is a PITA, as I have to move the entire turntable to change it.

If I applied the thread tension that I use on my string drive turntable, to my former modded thread drive TNT, the TNT platter would barely move. It is applied loose - so loose that you can flick the thread as the record plays and not interrupt it. The string drive turntable’s pulley, and platter / bearing inertia design keep it going.

The VPI’s platter/bearing and motor pulleys being designed for belt, take some time to get it right as you say, with thread. But once dialed in I found a profound performance increase. Like the musicians were playing based on receiving some good news earlier in the day. The speed controller needed to be set much higher, but the resulting shorter and tighter bass notes improve pace and tempo and put the TNT on a par with my other tables at the time. I once tried a thread slingshot approach with the motor a few feet away. That was interesting - like kicking in a turbo. But the thread could not take the strain.

My findings
Adding belts to a string drive design is easy to do, but it degrades performance.
Adding string/thread to a belt drive design, is not as easy to do, but it improves performance.

Hi Chris.  Thanks for the feedback.  I've found that the string tension needs to be pretty loose for best performance.  As for the arm situation -  I did in fact have the Delos mounted in the Carbon arm for a good while and was getting good results.  Then I went and switched speakers and cartridges and started fiddling with other parameters and the magic disappeared.  I may be switching the Delos back to the Carbon arm, I just dread setting SRA and VTA again, as just last night things were starting to sound pretty decent again.  I've done a good bit of switching around of cartridges lately, and both the Delos and the Soundsmith have good stylus protectors.  I'm not saying it's easy or foolproof, but at least it's not a scary proposition. A great opportunity to engage in mindfulness.
Actually, when I said I dread setting VTA and SRA, I meant to say SRA and Azimuth. 

When setting up Azimuth
If I am using a tube amp/s, make sure its channel output is even. Then I set up digital first and with the speakers in near field (takes the room anomalies out) . If your main speakers can't be moved use a temporary smaller pair of speakers. Then go to the vinyl with the same material. Match it up as best as possible by ear.
I don't like the idea of using test instruments for Azimuth because, if the generator is not aligned with the stylus, you will be chasing your tail forever. Its an unknown. We can't tell if the Cart generator is lined up properly.

Hi Chris,

Merry Christmas my friend!

I am a bit confused by the last statement above. If the cartridge’s generator is misaligned, I can easily see why listening will give a better result than setting azimuth using visual alignment tools, mirrors, etc. that use the cantilever orientation (or even worse the cartridge body) to try to roughly approximate true azimuth alignment. But, given the same misaligned generator scenario, why would using a test instrument (say a Fozgometer or an oscilloscope) that reads each channel’s signal output independently and also the output signal balance between both channels give an improper result?

Best to you Chris,
Dave