Essay bashing Primedia, Stereophile - and Audiogon


For those of you who like their blood stirred a little bit before the weekend, take a look at an essay by Chip Stern, in which he finds some answers on who is to blame for the demise of high-end-audio. In part, it's Audiogoners!
http://www.positive-feedback.com/Issue9/csdy.htm
hassel
"The emergence of Audiogon is emblematic of where all of this marginalization has brought us. Hobbyists no longer participate in a living, breathing marketplace, but whore out trendy, here-today-gone-tomorrow products that have no lasting value, undermining the market for new, lasting-quality gear by reallocating money that usually went to retailers in the form of profit margins and trade-ins to haggle dubiously amongst each other (then adding insult to injury by wasting manufacturers’ time with endless queries as to the latest internet bargain—validate my decisions, reassure me that I’ll be happy). Never mind customer service or warranties, having a store and a company stand behind said services and products, or dealing with qualified people who understand that a great audio system, like fine cuisine, is not simply a matter of having the fanciest ingredients, but of knowing how to harmonize all of those elements into something greater than the sum of its parts."

According to this article I'm a whore, waste manufacturer's time, and don't know how to match components. Okay, I admit it, I'd be happy to be paid for physical encounters with attractive members of the opposite sex. There, I feel better. As for wasting people's time or not knowing enough to put together synergistic systems, I strongly disagree.

The time's they a-changed and it seems the author isn't in favor of sites like AudioGon. Sounds like a bitter dealer who want things just like they were before the wide-spread use of the internet. In the words of Tom Cochrane, you can't turn back.
"""These legions of Mini-Me?s dutifully parrot the language and jargon originally expounded by such tribal elders as Harry Pearson and J. Gordon Holt to communicate nuances of resolution, then emulate and promulgate the received wisdom of other elitist wannabes in a gigantic circle jerk on Audio Asylum, Audiogon, and sundry chat rooms. ***

This guy is a complete idiot.

***This tendency to argue for one style of reproduction while marginalizing another reinforces the kind of silly fragmentation that puts so much distance between this thing of ours and the very people we are trying to reach ***

Debating an issue is the best way to learn about it and the opposition. It is a learning process. Once again, this dude is an idiot.

****The emergence of Audiogon is emblematic of where all of this marginalization has brought us. Hobbyists no longer participate in a living, breathing marketplace, but whore out trendy, here-today-gone-tomorrow products that have no lasting value, undermining the market for new, lasting-quality gear by reallocating money that usually went to retailers in the form of profit margins and trade-ins to haggle dubiously amongst each other (then adding insult to injury by wasting manufacturers? time with endless queries as to the latest internet bargain-validate my decisions, reassure me that I?ll be happy). ****

That one had me laughing so hard i almost cried. This guy is just trying to stir things up. I have no clue who he is, but im not too impressed by his lack of insight, his pompous remarks, and smug "holier than thou" attitude.

I guy really does not get it does he? It also seems like he sat there night after night with his fat butt planted on his couch reading through a thesaurus attempting to make himslf seem more educated. He sure uses alot of big words that normally are not used. Ive found that with wording like that 9 times out of 10 is some average guy reading a thesaurus attempting to look intellectual. Ive met some very brilliant people in my time, and they didnt talk like that.

WHo is this guy anyways? He seems like he has a dead interest in high end audio.
The Chipster used to work at Stereophile until the recent purges that included Mr. Scull, but included the hiring of Art Dudley and John Marks. I feel obligated to say that I owe Stereophile my high-end education. Further, I think their chosen path is a wise one and I've always greatly anticipated the arrival of every issue. I can not say the same about any of the other magazines audio or otherwise I've subscribed to over the years (except maybe Scientific American). I just hope Primeadia can see past profit and give capital and space to what is arguably the most important purveyor of progress and information about audio in the world. Chip Stern is doing nothing except throwing fuel on the fire of his former employer (while employed by a competing magazine nevertheless) and I can hardly see how this helps improve anything.