GMA Europas-first impressions


Well I've got about 60 hours on the Europas now and have had them about a week. They went into my modest system consisting of Nad C370 and 521I and a Sony powered sub. I'm just getting started in Hi Fi again after 20 years. Have previously owned Maggies (mg1's I think they were called), Klipsch horn knockoffs and Stax electrostatic headphones. So I thought I would get some nice clean sounding monitors and good stands and a new sub. Also wanted to investigate the phase/time coherence deal. I expected clear defined sound but was worried about brightness in my rather hard room.
Well I got clear defined sound aplenty and not even a hint of brightness from the Europas. The highs are sweet and delicate and can pull out details of old recordings I hadn't heard before. Today was listening to an old Cream song (yes I said Cream) and I was blown away to hear the articulate presentation of Ginger Baker's cymbal work from the next room. If anything the top end is gaining in open airy texture as time goes on.
I don't want to get into the time/phase coherence debate here but I did finally setup the speakers in an equalateral triangle as the GMA manual suggests. In my rather compromised listening room, this puts the speakers at 30 inches from the back wall. This helped with both the presence of vocals (really quite startling) and the bass response as well.
The bass has excellent definition and it is easy to track the acoustic bass tracking up and down a scale note by note.
I initially started using the sub with the Europas but I am now using them full range. They aren't going terribly low (6 inch drivers) but they are in the room and present on the bottom end. Here again I was playing Dave Brubeck Take Five and the drum solo in the middle of this piece just bounced out and hit the floor right between the amp and CD player. When the sax fell in, the air coming out of that horn was breathy and just plain scary.
So the Europas are clear and defined, delicate and present, but there's more. These babies are in sync with the dynamics of music. No analytical sound or theoretical disertation. The sound is big and room filling (12x22x8) and I believe they could easily handle a larger room than mine. The presentation is wide and deep and the dynamic peaks are surprisingly powerful. With the clarity they posess, the Europas maintain the background performers info all through those "stage front" dynamic peaks. They bring through the drama and emotion of the music. Man, that Brubeck piece just plain knocked me out!
This is a lot to get out of a pair of speakers that go for what 900 bucks a pair? I have Sound Anchors coming and that with more break in time should increase and open up the bottom end.
Thanks to Roy for the great job and to the Agoners that helped me find these great speakers.
abbeydog
I've had my Europas since spring so I guess they're getting broken in but certainly haven't keep track of volume/hours logged. I'm using a pure tube setup, NOS stuff with EL34's operating in triode mode. The Europas just get the texture and harmonics so 'right' like a old Martin guitar....if you know what I mean. Kudos to Roy J on designing an exquisite piece of art!

Check out 'Norman Blake and Tony Rice 2' second cut 'Lost Indian' with Doc Watson. Martin and Santa Cruz guitars just 'ringing' the wood!
I've had my Europas a year and love them. I have them mated to a 1978 Onko A7 integrated amp and the sound is heavenly. I've used them with a number of different amps new and old and they always sound great. Phasecorrect is right on about the 3-D magic.
How do the europas do with classical music? instrumental timbre, solo piano, strings? How would you compare them to spendor sp100?