Good question, lots of answers.


I've owned a pair of Legacy Classics for over 5 years now and have no intention of 'upgrading'. Granted, they are large (110#) but they are full range and ruthlessly accurate (no more than down .2db @ 22) but rewarding as ever when good source materail is used. Sometimes they even 'dissappear', which is a hard act to do. Once you've listened to a good, full-range system, its hard to go back to anything that doesn't convey the full intent of what the artist originally intended. I hope that doesn't sound elitest, just truthful. They now cost about $700 more than what I paid but you may be able to find someone who can audition them for you. I was lucky enough to do just that before I bought mine: the guy had a CD of Nat King Cole that was accidentally remastered without the trademark 'echo' used at the time and it seemed that he was actually in the room with me, crooning away. It sent chills down my spine and I was sold right then and there. Granted, some old 20 watt Macs were driving them effortlessly so that helped in creating the illusion but man, o man. What glorious sound. On an aside, the recording engineer (I forget his name) bought a pair of Legacys himself once he heard them and he's been around a long time (Eagles, Steely Dan, etc) and now he remasters. Hope this helps.
128x128nonoise
First, Ozzy's question: I'm new at this and started my own thread in reponse to one by Ryllau-Speakers ot hang on to for life-my bad
Second, Sean: Most measurement's that I'm familiar with are taken on axis, off axis, etc. and about 1 metre from the speaker. When 'in room' measurements are taken it all boils down to which room? Is it representative of 'my room'? Your advise for stuffing is a well known, time honored treatment for those 'humps' that you allude to but they are NOT present in all rooms in the same way. You can pay several times the cost ot the Legacys and get just as horrible 'in room' results compare to the published frequency responses that most makers get. Some of your better designers use an anechoic chamber to tune their speakers: no room boundaries as all rooms are different. Also, if memory serves me correctly, don't all speakers exhibt that same 'bass hump' when placed in a room where the dimensions are/can be multiples of each other, or something like that? And if so, aren't those types of rooms to be avoided and/or modified as the standing wavelengths are exacerbated?
Sean: Its all subjective. I always trust my ears. I've heard bad sound that took a lot of salesmenship to convince people that they are hearing what isn't there. I've seen firsthand people conned into high priced sales. I've even listened to people trying to convince me that cables, speakers and the like are to be bought and then changed according to how you want it to sound! These apples aren't even from the same tree I live in. As for 'ruthleslly accurate', I'm just touting the ability of my speakers to seemingly have no coloration or signature of their own. Any changes I make upstream are instantly noticed. A bad recording still sounds bad (pop music recorded to RIAA standards), good recordings sound good, and great recordings sound great. I couldn't ask for more.
Ok guys, play nice. This is supposed to be about sharing the joy of audio. Not demonstrating who has a physics degree in wave dynamics.
I was simply responding to subjective statements that i disagree with. Not only does my personal opinion and experience differ with that of Nonoise, but i can also provide empirical evidence to support my statements. Both sources of evidence were provided by industry professionals that get paid to test and measure audio related equipment for a living. They not only provide the results obtained, they explain how the tests were taken. Most larger Legacy's do not measure very well and their lack of sonic accuracy is quite evident / supportive of the measurements that i've seen. Buy them if you like them, but don't try to convince anyone that they are linear or "accurate". Sean
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Obviously, one cannot depend (unless they are familiar with the said audiophool's listening referrent) on just that one listening experience. This is not the first time I've heard this (inaccuracy) about Legacy. I suppose the power and "accuracy" of subjective opinion lays with the quantity of similiar, subjective listening experiences. If I heard the Legacy and came off with the same experiences as Noniose, I'd start to feel a little insecure, after reading countless experiences like Seans. I tend to feel, that the cream comes to the top, and down the long audio highway, the strength/sound etc. of an audio component becomes self evident. I hope this makes some sense. peace, warren
BTW Nonoise, that was a mini review, not a question, correct?