Graham Phantom Supreme?


Has anyone done a comparison between the Supreme and the mkII? Is it worth changing and expending the extra outlay?

The main revisions appear to be the bearing housing and an improved magneglide stabiliser (I think the internal wiring was up to a good standard already on the mkII)

There is a company called AudioMax Ltd (approved contractor?) which can perform upgrades from both Phantom I and Phantom II to the Supreme build.
Any experience of this conversion out there ?
Many thanks... :)
moonglum
Halcro,

Is the Phantom a true unipivot or a dual pivot. When I read Fremers review of the Phantom he says the magneglide mechanism runs on a bearing but is pulled by the arm via magnets, suggesting the magneglide is not physically connected to the arm. Is that correct ?

Thanks - Dover
Dover,
That is correct. There is no physical contact between the magnets of the Magnaglide and thus I believe the Phantom II.....in fact all the Graham arms.......are true unipivots.
Cheers
Dear Dover, the magneglide mechanism does induce a force which again kind of "simulates" a second bearing. Kind of "magnetic semi-unipivot" ...? The mechanical contact is the uni-pivot only, but there is undoubtedly a lateral force which act similar to a lateral 2nd bearing.
If not as consequent ...
Cheers,
D.
Halcro/Dertonam,
Thanks guys, I've been interested in buying the Phantom at some stage and there are none here to look at or audition.
Dover
I had the pleasure of the past 4 years to audition every single version of the Phantom in Syntax' system.
Every version includes every effective length too, as Syntax collected all arm wand length available for the Phantom including the 12".
It is apparent that Bob Graham very carefully works on improvement in his design.
Every version did improve in the sonic picture while maintaining the virtues of the former.
To my ears - as well as to my brain and technical understanding - this is at the moment the UNI-Pivot with the most engineering input and the most money spent by the manufacturer to bring the design forward.
While I am certainly no fan of any additional connection before amplifying the tiny cartridge signal, - the Phantom sounds incredibly open keeping in mind that it has at least 2 more connecting joints than most tonearms today.
Might well be worthwhile having Syntax' Phantom Supreme direct wired from cartridge pins to phono input somewhen late winter.
Just curious to see/hear how much transparency will improve even further.
All the other current contenders do long sport direct-pin-tp-phono-input wiring.
We'll see ...
Cheers,
D.