great vinyl sound cost as much as great cd sound

Karma, Others have responded, and I understamd what your question was, but I find your question leaves something out, and that is, do you own any LPs?

If you don't own not one LP, well, I'm not going to say it's impossible to start into Vinyl, but it sure does make it harder with the outlay of cash for Vinyl, and the question arises "Where does one begin"?

While I've been into Analog-Vinyl since the very beginning of my love for audio (34 years), I've amassed quite a few precious, and interesting LP's, but it's a relative thing, and I'm sure there's a substantial percentage in this forum who has collections of Vinyl which actually could pass for a Vinyl Record Business!

Not 100's of LP's, but literal 1000's!

While it's never too late, nor impossible to start, ultimately,you have to decide if Analog is right for you. One doesn't necessarily have to buy every costly LP on the Planet to enjoy, and if you have record shops in your area, second hand-antique shops, these are places were gems can be found. I have myself found countless dozens of museum quality, expensive LPs for instance many unplayed German Duetsche Grammaphone's of people like Izhstak Perlman, etc. Cost for these mint LP's? $1! I've bought mint Revox Classical Box Sets, never played, (Mozart-beetovhen-etc) cost? $2.50!

On the other hand, one can spend countless $100's-$1,000's for desireable LP's Just look on ebay for example, and look up something like "Mobile Fidelity Sound Labs" (MFSL) and check out something like what a Sealed 14 LP MFSL Beatles Box Set goes for. (Always would've loved having that set, but it's a bit beyond my reach right now)

Buying things like LP cleaning gear doesn't necessarily have to be expensive. $100, should basically cover all the bases with a good Hunt Dry Brush, a Bottle of Disc Doctor Cleaning Fluid, and Brushes, and a bottle of Last Stylus Cleaning Fluid, and a stylus brush (usually included with the Fluid) or even the super cheap $2 box of Mister Clean Magic Cleaning Eraser will do.

If you do choose to invest in vinyl, the best way I see to do so today, is buy much of this gear used right here on AudioGon. Tons of nice gear pop up here every day. Something like a used Mint VPI Aries-Aries II-Aries Black Knight would fit the bill very nicely indeed!

One that also comes with a good Arm (VPI JMW 10, or 12 for example) and a Cartrridge with Low Hours would be another plus, and buying used usually offers a considerable savings from trying to get in with all new components.

Buying used will also have the advantage of if you decide to get out, or upgrade a component (A Phono Stage for example), One may not lose one cent of their money when re-selling the item.

Lately, I see many beginning to rave about the very inexpensively priced Jolida PD9 Tube Driven Phono Stage as a Giant Killer in performance-features, and at $450 new, it's not a great risk to try out.

When I see people favorably comparing it against costly
costly phono stages, such as the Krell, this little phono stage has to be one of the budget buys of all time.

Vinyl certainly isn't as convenient as digital, but I myself over the years have found the extra hassle of owning, and maintaining vinyl a worthwhile, and truly enjoyable hobby.
Mark
Once can always buy more as time goes by.

Karma/All
I disagree that a VPI Cleaning machine "is a must", it certainly is not a must, especially for the biginning hobbyist, with 2-3 dozen Lp's in their collection.

A hobbyist in time, with the accumilation of countless LP's or one who buys many second hand, that have been initially somewhat mistreated will find a Machine such as this a great value to them, saving mucho time, and effort, but I see to technical supportive evidence myself, that a hand cleaned LP with the right products can't be every bit as microscopically clean as an LP cleaned with a VPI 17.5 machine.

I see reference many times to folks saying "Oh, after I clean my LPs with the 17.5, my LPs have never shined so much, like mirrors! That IMO is a bit of a fallicy, in that if it was doing some sort of polishing buffing to the LP's surface-grooves, it would actually be more a detriment, than a help to achieve pristine clean Vinyl.

I may open some eyes with my opinions, but the advantages to machine cleaning are 1. Time saved per LP cleaning, and 2. Lots less elbow grease needed when the machine is doing the majority of the work for you.

If one acquires a few LPs here, and there, manual cleaning can suffice very well, and only takes a small amount of one's time to achieve desired results.

Handling, and packaging after cleaning are important considerations, and if one hypothetically uses a big dollar cleaning machine, then resorts to placing that very same LP back into a 1 cent paper sleeve that looks like you washed the floor with, and with dirty-greasy hands that don't properly handle the LP, much, if not all of that effort is totally wasted. Mark

To Markd51:

OK, let me rephrase then: cleaning records is a must, if you want CD-quiet sound, (providing the Lp was well-taken care of to begin with. I've done it both ways, by hand and now by machine; doing it by hand was a pain in the..., but to each his own. Of course, one may buy any record cleaning machine he wants, it doesn't have to be a VPI.
Some would argue that rotating a brush around a record without vacuuming (sp) just rotates around the particulates.

Hi Jdaniel, Yep, I think we'll all agree about that! ;-)

To be honest, I have lusted for a good cleaning machine for years, and I'd be quite tickled owning either of the VPI's. Sadly, I've put it off, put it off, always making some sort of excuse 'naw, I can live wthout it a bit longer, but yet the LP collection continued to grow, usually in spurts.

I won't buy LP's for months, then the bug hits again, and here we go again, a Mo-Fi here, a re-issue there, and sometimes the obscure, but very cool oldie in an antique-record shop.

In fact, recently, I've got my eye on an old mint Louis Armstrong Box set that must be from the late '50's-early '60's. Asking price $30, but I might spring the dough for the heck of it before it disappears. If I recall, the Lps were purple vinyl Hmmm? Unusual.

To relate to the original poster again, I've heard great things about emmlabs gear, although never personally heard their digital. I'm sure it's a flooring experience hearing thr CD done well.
I have heard top of the line Levinson, and Krell though, so I can appreciate the capabilities of the high end, and the improvments heard with CD playback through state of the art.

Still, in some ways, I don't think you'd have to equal that high end digital price with vinyl to find a very satisfying sound, that will make you sit back, and smile.

Debates such as these can on on for years on end, the topic of LP vs CD, and truthfully, I feel both formats have their advantages-strengths, and their drawbacks-deficiencies.

For analog, there's certainly been many down this path in the know, and have learned (Usually the hard, and costly way) the synergistic combination of equipment that go well together (Turntable-Arm-Cartridge-Pre-Amp)
Mark

Great vinyl sound seems to cost more than great CD sound, but once you get to the high end, analog really can pull ahead. I've had the chance to compare the CDSD/DCC2 to a Brinkmann Balance/Brinkmann arm/Lyra Titan/Lamm LP2 setup. SACD vs LP was close. I preferred the LP in the comparisons, but someone could easily prefer the SACD. LP vs red book was no comparison on any of the three albums I had to compare (Radiohead - Amnesiac, Modest Mouse - The Moon Over Antartica, A Perfect Circle - Mer de Noms).

I'm seriously considering adding a high end analog setup to my system plan, but it is a lot of money. There are a lot of best-of-the-best digital solutions for less than the Brinkmann setup would cost me. As far as less expensive analog goes, I'm not sure it's worth the trouble. It has to be really good for me to be willing to deal with flipping over the first record, then putting on the second, then flipping it over to get the same music I get on one side of a CD.