Has anyone heard the new North American products preamp and amp?


The new versions are called X-10s and the amp is on its third version or Mark III. This truly provides holograph imagine unlike anything I've heard before. On symphonic orchestras, one can hear the first violins. I have never heard an amp sound this precise.

In reality, I doubt if any amplifier can rival it. I certainly have never heard any that do so. Every album is so involving.

The preamp has yet to get a remote but is nevertheless, quite striking.
tbg

atmashpere

Now the problem here of course if that you have a circuit that can do the process, but no means of measurement, as nothing exists that can deal with numbers that small.

With all due respect - it is not my problem.

Tubes have higher MEASURED distortion - yes?

Since there is plenty of distortion to play with in tube amps and it has no problem showing up on man-made test equipment, did your measurements from tube amps help you make a better amp?

atmashpere -

 I make this point fairly often in that one of the areas that we know very little about is how the human ear/brain system works. And because we don't know much about how it works, we don't really design equipment that takes advantage of those rules


I have been blessed with an understanding of the ear-brain system. (EBS)
At least to the point where I can design to it. That is what I have done.

If you have read my white paper you can see that I have no problem thinking outside the box. I have spent many years concentrating on one concept. I was determined to understand what happens to music signals when passed through an amplifier. Obviously they "act" differently in tube circuits vs SS circuits. I literally did behavior analysis on the fragile signal to see how it reacts to being manipulated by different circuits.

I wanted to somehow feed the musical information from the venue directly into the EBS. To do that you have to learn what the EBS "likes" to hear.
I'm not referring to your favorite music - I'm talking about what your EBS feels “comfortable” with receiving as a perfect data connection.

We know what happens when the EBS feels “uncomfortable” – that is when stress enters the picture.  Listening fatigue, etc. To prevent this from happening we must not feed the EBS with a mismatched or poor connection. It will reject the data as invalid. We can keep listening to it but it will not be accepted as a valid live sound.

Live sound has a path to the EBS unlike that of electronically delivered sound. It is apples and oranges. Live sound flows perfectly through air into the EBS which easily uploads the data to a higher level of analysis by the brain. It passes the test of validity because the brain recognizes the delivery method – the medium of air. It freely passes the data to an area of the brain that reconstructs a mental image of what it hears. It reaches the mind. At this level your conscious is free to “browse” the sonic landscape perhaps being attracted to a specific area in the [mental display] that it would like to concentrate on.

The ability to discern several instruments simultaneously is amazing enough but to further apply a desired filter to be able to listen to just one while the others are still playing is also a testament to massive sophistication of the whole process.

It is this extra ability to place a filter over one area of interest that can make or break the process. The conscious effort to filter something will only work if the target (of the filter) is stable.

Variations in delivery speed cause the mental location of objects to drift. The effort now to place a filter fails due to the moving target. The brain instantly knows the data transfer is contaminated with something that is not found in nature. It is fully aware that this is not a live event.

My goal was to specifically create a valid delivery system that allows the natural connection to the EBS to happen – it can now pass the validity test and continue to upload to the higher conscious level where object recognition takes place and the reconstruction in the mind of the sound stage happens.

More importantly – it is free to use the [mental] filtering tools to allow the concentration of interest to dictate what instruments are desirable or which can be ignored. Both filters require a stable target.

Yes it required quantum physics to penetrate the music signal enough to find its velocity and stabilize the process prior to passing it on to the ear-brain system.

Roger
Roger, I think its in your best interests to avoid much in the way of explanation of what you are up to- seriously. I've already said why.

Now the problem here of course if that you have a circuit that can do the process, but no means of measurement, as nothing exists that can deal with numbers that small.

With all due respect - it is not my problem.

When you say things like this in response to my comment (wherein it can be seem that if you have the circuit, you must therefore also have the means of measurement, duh), it appears disingenuous. If you are going to make the claims that you have, this **is** clearly your problem- as Carl Sagan said "extraordinary claims require extraordinary evidence". In this case you are denying its even your problem and further, your comment about tube distortion is really a red herring (IOW its not an explanation and has nothing to do with it; its pretty well known that tubes are some of the most linear devices known to man, just as a FWIW...). So take a friendly bit of advice, and this is not saying anything about whether your technology works (which is irrelevant, what really matters is the result, which you seem to be getting):
Do yourself a favor, and don't talk about stuff like this! As soon as the word 'quantum' come up in audio, most rational individuals will know immediately to turn around and run as fast as they can.
atmasphere

as Carl Sagan said "extraordinary claims require extraordinary evidence". 
Your right - I guess since it cannot be measured then the only "evidence" is how it performs which by Carl's definition has to be "extraordinary".

I'll settle for that.

BTW I was in no way trying to dig at you. I have tremendous respect for you and your reputation. I was just trying to point out that even things you can measure don't in and of themselves provide answers so easily. It is even more difficult "working in the dark". 

Regards,

Roger

roger_paul157 posts02-22-2016 3:34pmI hope you get a chance down the road to give a listen.
I will be at the Newport Beach show in June.

Who are you partnering in Newport Beach show?

I haven't bought plane ticket yet but plan to attend Newport Beach show this year.
Roger wrote,

"atmasphere: "as Carl Sagan said "extraordinary claims require extraordinary evidence".
Your right - I guess since it cannot be measured then the only "evidence" is how it performs which by Carl’s definition has to be "extraordinary"."

Roger responded: "I’ll settle for that. BTW I was in no way trying to dig at you. I have tremendous respect for you and your reputation. I was just trying to point out that even things you can measure don’t in and of themselves provide answers so easily. It is even more difficult "working in the dark"."

This part is mine -- If Roger’s amp works quantum mechanically (which I’m not convinced it is) then any measurements taken with respect to the quantum nature of the amplifier, if it actually has a quantum nature, would collapse the wave function, no? Furthermore, repeated subsequent attempts to measure some property or another, assuming the quantum state is allowed to build back up again in between measurements, would probably yield different results. Which would be rather unsatisfactory. Of course this all assumes that what Roger is saying about the quantum nature of his amplifier is true and not a cover story. ;-)

GK