Hear my Cartridges....🎶

Thanks @noromance .....
Your courage is noted 👍
You and @dover are in agreement. That should give you both some confidence.....
Although I do detect some hesitation from both of you...🤔

But where is our in-house maistro @frogman ......?
Could he break the consensus wide open?
Or could he make it unanimous....👀 

Late to the party and away from Agon. Sorry, guys.  It’s been a very hectic time as the live music scene opens up again,  finally!  Will offer some thoughts later this evening.  Best to all.

This afternoon, I promise.  Sorry, obnoxious, I know.  

Take your time Maestro.....
There's only two audiophiles sweating on the verdict 🥴

Tough one; and interesting and insightful comments by Dover and Noromance.

In the absence of the common denominators of same cartridge and tone arm, I have to go by my experience as a long time strictly-belt-drive TT owner and my expectations of what the stereotypical differences between the two technologies might be; most notably, the presumed superior pitch stability of DD.

First, I agree with Dover and Noromance and would say that TT’s 1&3 and, by default, TT’s 2&4 are the same turntable. However, I’m afraid that I don’t agree with some of the characterizations of their respective sounds and the attributed technological provenance. In fact, I hear TT’s 1&2 in completely the opposite way that Noromance does. Possibly a semantics issue; or, perhaps playback gear. Besides, I wouldn’t dream of disappointing can’t Halcro by NOT “breaking the consensus wide open” 😊

I hear the sound of TT’s 2&4 as bigger, bolder and with more (not less) high frequency energy. However, the sound is also a bit less colorful with just a hint of the dreaded (for me) bleached quality, especially in the Stravinsky; and, too tight and borderline shrill (piccolo) in the higher registers. The sound of TT’s 1&3 is, to my ears, a bit rounder and plush, with more of the natural tonal colors that I hear in live sound. However, it is also less bold and less expansive; more contained and set back a bit further and, on the Stravinsky, it could be described as slightly covered. I do agree with the comments about bass articulation.

Taking into account the unknown but expected unique contribution of the arms and cartridges used, what is left for me and the deciding factor is the perceived pitch stability of each and my, possibly fatally biased, expectations of what that may mean. This, taking into account that the pitch stability of this belt drive will be excellent regardless.

There is little in the Stravinsky to provide an obvious clue re pitch stability except the perceived boldness of TT2; possibly attributable to superior pitch stability. However, on the “Look of Love” I hear just a hint of waver in the decay of piano notes with TT3. Those decays sound more solid to me with TT4.

Which one sounds more like the real thing? I suppose that, as always, it depends on one’s priorities. Tonally, TT’s 1&3 do it for me. Pitch stability wise, 2&4. So, with that and the other observations in mind, I will go out on a limb and say that TT’s 1&3 are the belt drive and TT’s 2&4 are the direct drive.  As always,  very subtle differences and very fine sound all the way around.  

Oh, the pressure! 😱

Btw, Halcro, very sneaky of you to have both TT’s spinning at all times 😉