I too have auditioned the 800D3 at a presentation put on by B&W at my local Paragon botique, here in Michigan. Power and pre-sources were driven by the latest D’Agostino Progression monoblocks, and Momentum pre-amp., wired with uber-high-end Transparent cable.
I must say I have to respectfully disagree with the above assessment of lack of stage depth and width. What I heard was transparency on Joanne Shaw Taylor’s "Blackest Day", as if guitar was in the room directly hooked up to the amp. Depth so nuanced on a couple of vocal tracks from Tom Jones’ "Nobody’s Fault But Mine", and Joss Stone’s "I Had A Dream", were laid bare absent speakers... In my experience B&W’s stage depth lends to the unique texture of each performer’s vocals. Bass extension was just short of subwoofer depths but definitely not missed on Chuck Deardorf’s "Moon And Sand".
So impressed with the presentation and being an 802N owner, I returned home to play the very same tracks, and some familiar pieces that were kindly played for me by B&W’s U.S. division president. My setup with ASW-800 subwoofer, Parasound JC1’s, Denon AVP-A1 3D (Upgrade Co. Moded), Audioquest cables.
Upon listentening in my room’s evironment with treatments and collective synergy, my 802’s (ironically toed-in the same degrees) had everything heard on the 800D3’s... Just not in the inth degree the way guitar sounded directly hooked up to amp. as on the D3’s (and this is in absolutely by no means any slight or knock on the new 800 series’ worth).
So as one poster stated that listening to the new speakers in your room’s environment with your electronics is most ideal. Room treatments are invaluable, and you may consider going up the line of previous iterations. I think my next upgrade will be the 800N’s or D2’s.
I must say I have to respectfully disagree with the above assessment of lack of stage depth and width. What I heard was transparency on Joanne Shaw Taylor’s "Blackest Day", as if guitar was in the room directly hooked up to the amp. Depth so nuanced on a couple of vocal tracks from Tom Jones’ "Nobody’s Fault But Mine", and Joss Stone’s "I Had A Dream", were laid bare absent speakers... In my experience B&W’s stage depth lends to the unique texture of each performer’s vocals. Bass extension was just short of subwoofer depths but definitely not missed on Chuck Deardorf’s "Moon And Sand".
So impressed with the presentation and being an 802N owner, I returned home to play the very same tracks, and some familiar pieces that were kindly played for me by B&W’s U.S. division president. My setup with ASW-800 subwoofer, Parasound JC1’s, Denon AVP-A1 3D (Upgrade Co. Moded), Audioquest cables.
Upon listentening in my room’s evironment with treatments and collective synergy, my 802’s (ironically toed-in the same degrees) had everything heard on the 800D3’s... Just not in the inth degree the way guitar sounded directly hooked up to amp. as on the D3’s (and this is in absolutely by no means any slight or knock on the new 800 series’ worth).
So as one poster stated that listening to the new speakers in your room’s environment with your electronics is most ideal. Room treatments are invaluable, and you may consider going up the line of previous iterations. I think my next upgrade will be the 800N’s or D2’s.