Yes, they are close to the wall. Some reasons for that. One, the room is a mess with speaker boxes etc. that I have to put down cellar - which in turn requires some cellar cleanout action. I'll get to that after Xmas, LOL.
Also, while I may bring them more out into the room, I may still leave them spread out wide to the walls. I like the super-wide soundstage I get from wide placement, and I'm only really noticing bass nodes building up in a couple of areas to the rear of the room where no one would likely be doing any critical listening anyway.
Second, right now I'm going through the new 73-disc Grateful Dead Europe 72 box set. It's mixed from the original 16-track reels and so should have had plenty of bass throughout, but they kinda screwed the pooch on the mix on some of the shows resulting in less low end than there should be, so I've got the speakers parked in the corners for extra bass reinforcement. One of my buddies has run the release through a parametric EQ program to address some of the imbalances and I'm going to send a hard drive to him soon to copy his files and hopefully resolve the mix issue.
I do agree with Irv that they are best out into the room and off the walls, but I'm finding the trade-off of less than the absolute best sound in the "sweet spot" in favor of pretty good in a larger area to be worth it in my circumstance. I do a lot of my work in the room and don't like to be moored to one spot all day, so being able to move around and still get 90% percent performance in multiple locations is fine with me. And the fact that you can get them to sound pretty good with less than ideal placement to me makes them a more versatile speaker than the Wilson Sasha, which is a much more placement-dependent speaker system - I'd guess they would sound terrible where I presently have the Salon 2s.
Also, while I may bring them more out into the room, I may still leave them spread out wide to the walls. I like the super-wide soundstage I get from wide placement, and I'm only really noticing bass nodes building up in a couple of areas to the rear of the room where no one would likely be doing any critical listening anyway.
Second, right now I'm going through the new 73-disc Grateful Dead Europe 72 box set. It's mixed from the original 16-track reels and so should have had plenty of bass throughout, but they kinda screwed the pooch on the mix on some of the shows resulting in less low end than there should be, so I've got the speakers parked in the corners for extra bass reinforcement. One of my buddies has run the release through a parametric EQ program to address some of the imbalances and I'm going to send a hard drive to him soon to copy his files and hopefully resolve the mix issue.
I do agree with Irv that they are best out into the room and off the walls, but I'm finding the trade-off of less than the absolute best sound in the "sweet spot" in favor of pretty good in a larger area to be worth it in my circumstance. I do a lot of my work in the room and don't like to be moored to one spot all day, so being able to move around and still get 90% percent performance in multiple locations is fine with me. And the fact that you can get them to sound pretty good with less than ideal placement to me makes them a more versatile speaker than the Wilson Sasha, which is a much more placement-dependent speaker system - I'd guess they would sound terrible where I presently have the Salon 2s.