Hi Fi Hi End Verses Pro Audio Specs

I have been a pro Electric bassist for over 50 years.
I also have done work as a sound man and have recorded in Studio
Also worked in Hi Fi and video sales and as a musical instrument Repair tech.
I have also worked for ADS Speaker Co in Wilmington,Ma.
I have always had this saying in the back of my head and would like to hear from the Hi end community.
Pro Audio vs Hi End Hi Fi.
When music is Recorded live or in Studio it is Music Production.
All Hi Fi no matter how expensive exotic or otherwise is The Reproduction of Music.
They have two different Electrical standards.
Knowing this and Knowing both Pro audio equipment and Consumer.
My vision of this hobby is to have a system that is a crossover between Hi fi and pro Audio.
I am seeking  a Particular sound as well as purity and design.
I would like to hear from the community.
Who uses Hi Fi mixed with Pro Audio in there systems?

I have always liked the sound of Crown Power with JBL Speakers.
Both those Companies Amps and speakers crossover from pro to home nicely.

Simply taking a product that has been used in the pro world and putting it into one's home does not make a system high fidelity. I would not consider either of those products to merit the label audiophile grade. component. I would not use either one in a system in which I was concerned about the sound quality.

Very interesting
a lot of the music I grew up on where monitored using
JBL Speakers 
I like that vintage sound.
Both Crown and  JBL Where always sold for both home and studio use.
A great example is a Pair iof JBL 4311 paired with a Crown DC 300.
when I was working at ADS I was in the Sound room  wth a couple of the engineers..
We where listening  to a pair of L910s
I remember one of the engineers saying if more music where recorded using these we would have better records today.
of course that was 1978 and gear has drastically changed and improved 
i remember that Telarc Records used ADS In some of their studios.  
To get a better grasp and knowledge on Audiophile purism
do you know of any reading material on the history of The Hi end Hi Fi hobby
Being a Musician on the creative end I am very curious to learn about the mind of the Hi End Listener.
From a musicians stand point we try and capture our creations and performance thru the Recording process.
it then hopefully will be enjoyed to those that buy records.
Interesting subject. My system is a mixture of both. My speakers are JBL 4345s that are bi-amped using an Electro-voice DX38. I have built an external charged coupled crossover for the Mid, High and Ultra high drivers. The 18" woofers are driven by an McIntosh MC2500 and the passive crossover is driven by a McIntosh MC275. All controlled with a McIntosh C2300 Pre. They sound wonderful with a vintage sound but with the charged coupled crossover more detailed.
In the last 15 or so years, Telarc used ATC SCM 150 in studio and SCM 20s for mobile work.

After about 1978, many studios went away from JBL horns, ADS, Urei horns and installed mostly Genelec and ATC for mains. (Horns lost ground as amplifiers became more powerful) Meter bridge monitors would have been a mixed bag with several choices that usually included Yamaha NS10 and sometimes small Tannoy concentrics.