How does the drum kit sound on your rig?


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I have heard it said that if you dial in the cymbals the rest takes care of itself. Do you find this to be true?

Can your system go BANG! I don't mean letting the magic smoke out but the sound - BANG!
Not thud, thump, pfud, pud, etc, but BANG like a gun or hammer hitting a piece of wood.

BANG!
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mikewerner
I find that there's a TON of really well recorded jazz stuff with amazingly real sounding drums...from Brad Mehldau to Bill Evans...Chick Corea's "Akoustic" bands, etc.
The Police Certifiable Blu-ray has an alternate angle just on Stewart Copeland for two tracks. Sound quality is good (not great) but it is fun to watch.
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I like to feel the kick drum in my chest -lots, and to have the cymbals splash -but not too much.
The dynamic swings (transients) are key to getting a good sound and if the system can't manage that then there is a flubby attack and a muddled space.
I don't think any home system is going to really do drums. I mean the REAL THING. If you have ever heard a drum kit in a house - WoW! Ear protectors are required.
It reminds me of watching movies where guns go off in an enclosed space. Never is this accurately represented. Even the characters don't respond appropriately. Down to your knees with your hands over your ears screeming is more like it! Deafening!
BANG!
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Live drums are as dynamic as the drummer wants them to be...if all drummers just pounded the crap out of the kit it would be a boring and monodynamic world. I've worked with a LOT of drummers over the years and the best have a sense of dynamics and tone that makes you want to hear 'em, and rarely do the great drummers sound anything but right...unless you're lying on the floor under the drum kit there is no need for earplugs.
I don't think any home system is going to really do drums. I mean the REAL THING.

If this is true, then why is there so much effort expended on high resolution audio (24 bit) and high quality vinyl if any home system cannot even replicate a drum kit? What is the point of all this pursuit of high resolution (16 bit to 24 bit equates directly to increased dynamic range) if it cannot be delivered to the listener?

The new formats of high resolution audio allow us to hear what the sound engineer can hear in the studio - why then does this not demand that the amp/speakers be capable of the same level of quality?