Mark, My tonearm has the front and rear counterweights riding on separate threaded rods going into the pivot and independent of the arm tube. Thus adjustment of counterweights does not affect the secondary resonance characteristic associated with wand composition or length. Also, its linear design allows separate manipulation of horizontal and vertical mass. Thus far I've found that the vertical mass is the more critical adjustment. Up to two-thirds of the assembly's total moving mass resides in the counterweights-- allowing a wide enough range of adjustment to characterize the tonearm as "universal."
Dan_ed, Indeed a split rear counterweight allows some adjustment. The question is whether the range of adjustment is sufficiently wide for a particular cartridge. In addition, with such an approach it is not possible to separately adjust horizontal and vertical mass; the adjustment of one affects the other.
I would add that with any long pivot arm, the rear counterweight(s) is in the final analysis the slave of the wand/cartridge lever. With a linear wand it is possible to unpack and play with each variable separately.
Dan_ed, Indeed a split rear counterweight allows some adjustment. The question is whether the range of adjustment is sufficiently wide for a particular cartridge. In addition, with such an approach it is not possible to separately adjust horizontal and vertical mass; the adjustment of one affects the other.
I would add that with any long pivot arm, the rear counterweight(s) is in the final analysis the slave of the wand/cartridge lever. With a linear wand it is possible to unpack and play with each variable separately.