That is very helpful, thank you. I have been in the Marantz ecosystem and felt that everything at the $3K to $7K price point was more of a lateral move regarding features than a step up in SQ, regardless of the brand. There was a night and day difference when I stepped up to the paid Audyssey license and a calibrated mic so the DSP is very important. @brianlucey is a mastering engineer who is mastering in Atmos and gave the Trinnov very high marks. He felt it was essential and to your point, it wasn’t about the channel count but their proprietary DSP. Thanks for the heads up. BTW, I had an issue with a picture window on my right wall. I didn’t want to block the light with a heavy acoustic or blackout curtain. I hung an acoustic lens 3D diffusor (auralex) that let’s the light pass through. It may not be very attractive but completely resolved the acoustic problem that was plaguing my MLP from the window without blocking it.
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You have the "magic" ingredient to knock your sox off immersive audio, POWER. Your Genelec speakers are already TRI-AMPED! Why not make THAT system the ONE and make your HT about your chill space?
With your background there isn’t any reason you couldn’t have a killer studio at home. You got the ears from your years in the studios, now get your home studio acoustically the way you want. You know some engineers actually prefer the ASC Attack Wall over a traditional space. You can set them up on a dime.
@kota1 The more I think about it and the more I play with my panning joysticks on my ProTools S4 control mixer I'm thinking symmetrical is not the proper layout for surround channels. In my Home Theater everything is symmetrical and fairly large, I set it up with and without the Lyngdorf Room Perfect DSP it doesn't really make a difference except it seems to turn up all my surround sound speakers. My professional system is not symmetrical other than the front L, C, R speakers and it images perfectly with or without the DSP. I think our brains are fooled by symmetrical surround sounds, symmetrical is not natural nothing really happens like that and our brains can't process rear surrounds coming from equal and opposite angles. Therefore I'm keeping everything a little off of symmetrical and leaning on the object orientation of the phantom channels. I've never heard of someone going about it this way before, the speakers are close to symmetric but not exactly and I'm not using any DSP at all so the imaging is only ½ the distance of the difference of the out of symmetry factor. I think that is the key to very nice ambiences and shockingly tight imaging in the surrounds. I'll let you know where this path takes me. I'l be working on it all night I think.
Also if you know of some good Atmos test downloads that would be helpful, Thanks.
Also I saw Shen Sun today at an amazing performing arts theater here in Boise the music was beautiful and the mics they used were cheap u57s mostly (very low end work hors mics) and the orchestra soundsd wonderful because the room was so good, moral of the story if you have a good room many sins are forgiven.
That guide was good, using those tables I decided to move my top middle atmos speakers to top rear speakers so they can double as my surround heights for Auro-3D (aiming the angle at the MLP as suggested, not firing down at the floor) and I'll leave my rear heights only for Atmos. I was using rear heights for auro 3D, not ideal. Thanks!
If you use Vudu you can search for atmos and they have the dolby test tracks loaded and you can play for free.
When can you post your measurements?? I don’t know protools so no help there. You will find out quickly if your mixes hold up when you test them in your car or someone elses space.
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