Hello Again Lloydelee - I bottle of excellent wine is in order for you!
The lousy quality subwoofer test worked! It took me some emergency tweaking after figuring out the wiring, but I got the sub to blend well enough to convince my ever-so picky wife that the Guarneri is better than the Yamahas, with the sub (which she calls a "bandaid").
I thank you profusely for your patient and clear help. You knew exactly what the priority items were to approach first for my problems with the GH's, and your solutions were economical as well as practical.
If I figure out where in our small and ancient Japanese house to store the three shipping containers (the wooden one for the speakers "will make a nice coffee table," while the one for the stands a "nice coffin" for "someone" as she said when when I first got them home), I'll be able to keep them.
Little does wifey know what long train of equipment upgrades await. Thanks for your help with that aspect, too, Daveyf.
Rachmaninoff on a Bodendorfer on "A Window in Time" sounds rich and full now with the sub, and more like a real piano than through the Yammies, as we tested live against our modest piano here.
Pandolfo's cellos on "A Solo" are really rich and with subtle tonality, much different than I had heard before.
What's not great yet is percussion in general, which is all too soft, and I can't get Cassandra Wilson and her band on "New Moon Daughter" to sound good at all yet. All their rich low sounds come out as dead "thuds." Just getting started...lots to do...
The lousy quality subwoofer test worked! It took me some emergency tweaking after figuring out the wiring, but I got the sub to blend well enough to convince my ever-so picky wife that the Guarneri is better than the Yamahas, with the sub (which she calls a "bandaid").
I thank you profusely for your patient and clear help. You knew exactly what the priority items were to approach first for my problems with the GH's, and your solutions were economical as well as practical.
If I figure out where in our small and ancient Japanese house to store the three shipping containers (the wooden one for the speakers "will make a nice coffee table," while the one for the stands a "nice coffin" for "someone" as she said when when I first got them home), I'll be able to keep them.
Little does wifey know what long train of equipment upgrades await. Thanks for your help with that aspect, too, Daveyf.
Rachmaninoff on a Bodendorfer on "A Window in Time" sounds rich and full now with the sub, and more like a real piano than through the Yammies, as we tested live against our modest piano here.
Pandolfo's cellos on "A Solo" are really rich and with subtle tonality, much different than I had heard before.
What's not great yet is percussion in general, which is all too soft, and I can't get Cassandra Wilson and her band on "New Moon Daughter" to sound good at all yet. All their rich low sounds come out as dead "thuds." Just getting started...lots to do...