Is it the transport or DAC that enables HDCD/Red?

The grateful dead continue to release HDCD recordings and they generally sound reaaly good. Still anachronistic after all these years. I believe they were early supporters of the pacific microsonics technology that they used in the mastering process-- being from berkeley and all

Bob - did you compare HDCD to exactly same Redbook. I'm asking since I noticed that only great sounding mixes ended up as HDCD creating impression of great sound in general. Do you know of any poor recordings on HDCD?

I don't have any experience with HDCD but whole scheme is a little bit weird. It has 15 bits of music and 1 bit (LSB) switching dynamic range. Techniques like that are called "in-band signaling" but I'm not quite sure about the purpose. In redbook CD one more bit (MSB) serves similar purpose (unless range in HDCD is greater than 2:1). In addition HDCD disk played on regular CD player will perform as 15 bit of weird dynamics + 1 bit of constant noise.

As I said - I don't have any experience with HDCD but judging by lack of any effords to improve quality of the recording/mixing, schemes like HDCD or SACD are attempts to force strong copy protection. I don't know why HDCD is more expensive - manufacturing is identical and royalties are the same. What about SACD - what costs another 100%? Greed killed many good standards before.

You might want to seek out an EAD 7000 Mk 2 or 3 from a few years ago. It's an exceptional DAC and will decode HDCD.
What's more it also has an invert switch so you change polarity onthe fly....VERY VERY useful IMHO

Add the Esoteric P-70 and I believe the D-05 to the list of DACs that support HDCD. The Classe SACD-1, SACD-2, and several Cary players also support it.

Kijanski - there's much more going on with HDCD than dynamic range switching. The recording is made at 88.2 khz/18 bits. It is then analyzed by the HDCD encoder which decimates the signal to 44.1 khz and applies on a moment by moment basis the selection from a suite of encode processes (compression, filtering,etc) that best preserves the characteristics of the original signal. The encoder also modulates the low order bit to tell the decoder which inverse process to apply at any moment. The result is a 44.1 khz/16 bit data stream that can be played by any CD playback system.

On playback the HDCD decoder reads the low order bit modulation pattern and applies the appropriate inverse process on a moment by moment basis to create 44.1 khz/18 bit data stream from the 16 bit data stream off the disk.

One other important feature - the filter in the decoder is a perfect conjugate of the filter used in the encoder, which by itself improves fidelity.

The intent was to do most of the number crunching on the encode side while the decoder remained simple.

The only responsibility the transport has is to provide an exact copy of the bitstream encoded on the CD (another argument against those who whine about CD data errors - none of this would work without perfect recovery)

Look up other threads on this.