Bob - did you compare HDCD to exactly same Redbook. I'm asking since I noticed that only great sounding mixes ended up as HDCD creating impression of great sound in general. Do you know of any poor recordings on HDCD?
I don't have any experience with HDCD but whole scheme is a little bit weird. It has 15 bits of music and 1 bit (LSB) switching dynamic range. Techniques like that are called "in-band signaling" but I'm not quite sure about the purpose. In redbook CD one more bit (MSB) serves similar purpose (unless range in HDCD is greater than 2:1). In addition HDCD disk played on regular CD player will perform as 15 bit of weird dynamics + 1 bit of constant noise.
As I said - I don't have any experience with HDCD but judging by lack of any effords to improve quality of the recording/mixing, schemes like HDCD or SACD are attempts to force strong copy protection. I don't know why HDCD is more expensive - manufacturing is identical and royalties are the same. What about SACD - what costs another 100%? Greed killed many good standards before.
I don't have any experience with HDCD but whole scheme is a little bit weird. It has 15 bits of music and 1 bit (LSB) switching dynamic range. Techniques like that are called "in-band signaling" but I'm not quite sure about the purpose. In redbook CD one more bit (MSB) serves similar purpose (unless range in HDCD is greater than 2:1). In addition HDCD disk played on regular CD player will perform as 15 bit of weird dynamics + 1 bit of constant noise.
As I said - I don't have any experience with HDCD but judging by lack of any effords to improve quality of the recording/mixing, schemes like HDCD or SACD are attempts to force strong copy protection. I don't know why HDCD is more expensive - manufacturing is identical and royalties are the same. What about SACD - what costs another 100%? Greed killed many good standards before.